Ikuska 3: Bilboko hiri espekulazioa

A documentary view of the Basque ball-game in which a small hard leather ball is hit against a wall. The film gives an impression of the game itself and of those who play it, not only the star performers (and the myths that surround them), but also those who just play in the streets and alleyways. The film sees the game it its cultural context and conveys the emotions and stories that are peculiar to the Basque country.

A singer frozen in old black and white photos. Forever young. Encapsulated. Trapped in the frame, just like her voice on her vinyl records. Forgetting that the point of view is chosen. Forgetting that, in addition to being a singer, Lurdes Iriondo is also an essential reference in the transmission of Basque culture. She understood that children were the key, and she worked for them.

The discovery of a series of unreleased tapes leads Juan Carlos Pérez, leader of the iconic group Itoiz, to reflect on the dissolution of the band at its peak, after a clear change of style towards pop that he still denies today. Juan Carlos will thus begin a cathartic journey to the essence of the group, reliving the beginnings of the band as a progressive rock group in Mutriku in the 70's, which will serve him to reconcile with the past.

'Ama Lur' is a documentary, directed by Nestor Basterretxea and Fernando Larruquert, that premiered in San Sebastián in 1968, and it is considered the foundation of Basque cinema.

A documentary film about the origins of the Basque trikitixa. It reflects how the small accordion brought by one of the Italian workers who came to build the Madrid-Paris railway tunnels in 1859, starting from Zumarraga, has become a symbol of contemporary Basque music.

An analysis of the controversy over the participation of women in the Irun and Hondarribia festivity known as Alarde. It is divided into three parts: in the first part, the history, structure, and characteristics of the Alarde are explained; in the second part, the beginning of the conflict and its development in the 1990s; and in the third part, the present situation, reflecting on the present and future of the festival.

Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.

A memory to the victims and a tribute to the survivors of one of the most tragic episodes of the Spanish Civil War: the bombings suffered by the population of Gernika.

The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?

Donostia-San Sebastián, Basque Country, Spain, 2011. Maider, a filmmaker, moves to the very same flat where pedadogist Elbira Zipitria Irastorza (1906-1982) clandestinely established the first ikastola, a Basque school, under the harsh regime of dictator Francisco Franco. Despite of her pioneering work, developed throughout thirty years, her story is not well known, so Maider, intrigued, begins to research…

The massacre occurred 500 years ago. In 1525, the Spanish Royal Council ordered the execution of five members of a cult recently discovered in the Pyrenees. This event marked the beginning of a relentless, century-long prosecution against Basque witchcraft, which exhibited all the hallmarks of the great European witch hunts, including an unstable border between powerful nations, revolts against the lords, raging misogyny, confessions obtained under torture, and mass accusations. These past five centuries, only one account has been heard: that of the inquisitors and jurists, the same ones who invented the myth of flying witches who met with the devil at sabbats to plot their crimes.

Ninety minutes in the Cathedral worth to live a historic moment. The temple quintessential Spanish football said goodbye in July 2013 to make way for the new stadium of the Athletic Club of Bilbao, but the essence, the color, the claw and the history of San Mames remain in the memories of their members, their supporters, of whom feel inside Atletico colors and those players who played on their turf to the sound of aupas, irrintzis, eups and alirones of the athleticzale fans. Documentary directed by journalist Unai Larrea to honor the centenary of the legendary stadium Bilbao, blend the images of the parties lived in the Cathedral interviews with over 80 people involved in the club's history, Bilbao and stage, as players the club itself Julen Guerrero, Joseba Etxeberria, 'Txopo' Iribar, Andoni Zubizarreta or Red Txetxu, Iker Casillas, Xavi Hernandez, Johann Cruyff or Juanlu-last player to score in San Mames, and coaches like Jorge Valdano, Vicente del Bosque and Luis Fernandez.

In this short documentary film about Basque pelota, in addition to showing the different modalities (basket ball, handball, paddle, ratchet...), well-known pelota players of the time take part.

Documentary dedicated to the new Basque music.

Documentary on the rural world and the city in the Basque Country.

Study on the situation of Basque language compared to Spanish.