Ikuska 13: Euskal kanta berria

A documentary view of the Basque ball-game in which a small hard leather ball is hit against a wall. The film gives an impression of the game itself and of those who play it, not only the star performers (and the myths that surround them), but also those who just play in the streets and alleyways. The film sees the game it its cultural context and conveys the emotions and stories that are peculiar to the Basque country.

'Ama Lur' is a documentary, directed by Nestor Basterretxea and Fernando Larruquert, that premiered in San Sebastián in 1968, and it is considered the foundation of Basque cinema.

A singer frozen in old black and white photos. Forever young. Encapsulated. Trapped in the frame, just like her voice on her vinyl records. Forgetting that the point of view is chosen. Forgetting that, in addition to being a singer, Lurdes Iriondo is also an essential reference in the transmission of Basque culture. She understood that children were the key, and she worked for them.

The discovery of a series of unreleased tapes leads Juan Carlos Pérez, leader of the iconic group Itoiz, to reflect on the dissolution of the band at its peak, after a clear change of style towards pop that he still denies today. Juan Carlos will thus begin a cathartic journey to the essence of the group, reliving the beginnings of the band as a progressive rock group in Mutriku in the 70's, which will serve him to reconcile with the past.

An analysis of the controversy over the participation of women in the Irun and Hondarribia festivity known as Alarde. It is divided into three parts: in the first part, the history, structure, and characteristics of the Alarde are explained; in the second part, the beginning of the conflict and its development in the 1990s; and in the third part, the present situation, reflecting on the present and future of the festival.

A documentary film about the origins of the Basque trikitixa. It reflects how the small accordion brought by one of the Italian workers who came to build the Madrid-Paris railway tunnels in 1859, starting from Zumarraga, has become a symbol of contemporary Basque music.

Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.

Donostia-San Sebastián, Basque Country, Spain, 2011. Maider, a filmmaker, moves to the very same flat where pedadogist Elbira Zipitria Irastorza (1906-1982) clandestinely established the first ikastola, a Basque school, under the harsh regime of dictator Francisco Franco. Despite of her pioneering work, developed throughout thirty years, her story is not well known, so Maider, intrigued, begins to research…

The massacre occurred 500 years ago. In 1525, the Spanish Royal Council ordered the execution of five members of a cult recently discovered in the Pyrenees. This event marked the beginning of a relentless, century-long prosecution against Basque witchcraft, which exhibited all the hallmarks of the great European witch hunts, including an unstable border between powerful nations, revolts against the lords, raging misogyny, confessions obtained under torture, and mass accusations. These past five centuries, only one account has been heard: that of the inquisitors and jurists, the same ones who invented the myth of flying witches who met with the devil at sabbats to plot their crimes.

In this short documentary film about Basque pelota, in addition to showing the different modalities (basket ball, handball, paddle, ratchet...), well-known pelota players of the time take part.

A memory to the victims and a tribute to the survivors of one of the most tragic episodes of the Spanish Civil War: the bombings suffered by the population of Gernika.

The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?

Documentary on the rural world and the city in the Basque Country.

Documentary that presents the urban problems of Bilbao.

Study on the situation of Basque language compared to Spanish.

Documentary on the relationship between the Basque language and its immediate cultural universe.