Un año después

Documentary about calypso signer Lord Cobra.

Panama’s strategic geographic position has long been its greatest economic asset, with the Canal serving as the cornerstone of its development. Yet for decades, control of this vital waterway remained in the hands of a foreign power. Through interviews with residents of Panama City, Una bomba a punto de estallar (1977) captures the hopes, doubts and political sentiments surrounding the negotiation of the new treaties between Panama and the United States, offering a vivid portrait of a nation debating its sovereignty and future.

For the first time, a painting contest is organized whose theme is the fight for Panamanian sovereignty over the Panama Canal. A primordial experience in the country, its executors, popular artists born in the bowels of the countryside and the city, provide an enriching testimony of their lived experiences in the face of colonialism.

The Nicaraguan revolutionaries, determined to overthrow the bloody dictatorship of Anastasio Somoza, enjoyed the semi-clandestine support of the Panamanian government and popular organizations from 1974 onward. Following the Sandinista Front's victory, which toppled a dynasty that had ruled for over 45 years, General Omar Torrijos visited that sister nation to strengthen ties between the two peoples.

As part of the process of political and social transformations undertaken by the military government, a new political model based on the election of corregimiento representatives (505 in total) popularly chosen and that will replace the former Assembly of Deputies controlled by political parties by political parties traditional The majority of the members of this new political experiment are peasants, indigenous, workers and community leaders.

Kenneth is a charismatic character whose trade is taking pictures of his neighbours in Curundú. "An almost retired criminal" and also a man with a talent for storytelling. Through Kenneth and his pictures, the documentary talks about Curundú, one of the poorest and most marginalised neighbourhoods in Panama City.

Colorful portrait of a subculture on the verge of disappearing: the hot, uncomfortable school buses that for decades served as Panama’s primary form of public transportation, seen through the eyes of one of their drivers. The British filmmakers themselves gave the film its Spanish title, La fama.

A musical group of young people from Viejo Veranillo perform protest songs in favor of the sovereignty of Panama. Set in 1976, a year before the signing of the Torrijos-Carter Treaties, the members of the group led by “Chirri”, vocalist and ukulele player, tell of their experiences in the neighborhood and their disagreements with the US military on the border that divided its community with the old Canal Zone.

An ironic portrayal of the days of the U.S. blockade of Panama, set during the dictatorship of Manuel Antonio Noriega, just months before the country was invaded by U.S. troops.

A documentary film crew follows Diego, a newly turned vampire who struggles to adapt with the help of his vampire roommates. Between family disputes and clashes over vampire behavior, Diego tries to get used to his new bloodthirsty life while remaining true to himself and the people he loves.

2008 / 35MM / 2 Min.

Claudia, a friendly and cheerful young woman, is chatting on the phone with her sister as her wedding day approaches. However, one detail is worrying her family: no one has met her fiancé yet. Claudia reassures her sister by saying that he is, without a doubt, the man of her dreams.

Two years after being released from prison, a former advertising director is struggling to rebuild his life in a city that does not offer second chances. Desperate for his situation, he agrees to participate as a driver of the vehicle in what appears to be a simple bank robbery.

A bus driver dreams of his ideal woman, who materializes with the face of the mermaid painted on his bus. Video transfer of a slide projection by Sandra Eleta, composed of images from nine projectors.

No description available.

It is almost like meeting the renowned Russian author to see this film, we get such a splendid view of him as he leaves his fine estate, find ourselves within touch of him almost, and near enough to watch his every motion as he bids his secretary good-bye before getting on the train. The view of the surrounding country and the peasant folk who each and every one get a kind look from the author, are also most interesting.