Episode 1

The two-part documentary “Automania” unfolds the history of the automobile as a relationship between man and machine. The car: drug, technical wonder, object of desire. Like hardly any other machine, the car is more than that. It is loved, cherished and cared for, protected and used for self-expression. At the same time, it is a sign of economic prosperity: whoever drives a (certain) car has made something of himself. And what applies individually also applies to societies: The car creates jobs and prosperity. But the dream relationship that lasted for 100 years has fallen into crisis. The films tell in an entertaining, moody and emotional way about the rise of the car to become an icon of the West and suggest future prospects. The films combine factual informations with nostalgically colourful memories of eyewitnesses. In addition, there are statements by experts as well as politicians and business representatives.

Each week, we follow our three drivers in their routine on and off track before they take part in an important amateur racing event.

Investigating mankind's insatiable necessity to move faster and further; for pleasure, for work, to explore, to survive.

Chris Barrie's Massive Speed follows on from the series Massive Engines and Massive Machines , both of which were also presented by petrolhead Chris (of Red Dwarf fame). In Massive Speed Chris turns his attention to the evolution of machines designed purely to achieve maximum speed. He travels the world searching for the most thrilling, speed-packed machines he can find and introduces audiences to huge engined bikes, planes, trucks and boats that battle it out in power races. Whether it's crossing an otherwise impenetrable snow drift, desert or swamp at the speed of an Olympic sprinter or cutting through the atmosphere at six times the speed of sound, Chris tells the stories of the greatest achievements of speed design and engineering. In each episode Chris follows the evolution of a specific genre of machine by testing them and reveals both the classsic stories and secret histories that surround each of them.

Drivers, managers and team owners live life in the fast lane — both on and off the track — during each cutthroat season of Formula 1 racing.

After being struck by lightning, CSI investigator Barry Allen awakens from a nine-month coma to discover he has been granted the gift of super speed. Teaming up with S.T.A.R. Labs, Barry takes on the persona of The Flash, the Fastest Man Alive, to protect his city.

Daishi Morimiya is a high school student whose dream is to become a wheelchair, track-and-field athlete. In addition to that, Miyako Fukai, a former wheelchair athlete, becomes Daishi’s coach. One day, a handsome alien falls from the sky when Daishi was practicing with Miyako, surrounded by his friends and father (who is employed at an old factory). The handsome alien named Goo, after escaping a mass genocide somewhere in Earth’s binary star, warns Daishi and his friends that Earth is in danger. Then, a giant lizard-like monster who is after Goo, attacks Daishi’s household. That’s when Goo’s Mode Shifter begins to emit light, radiating Daishi. His body is completely transformed by a special protector. The transformed Daishi charges at the monster while still in his wheelchair.

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Team Knight Rider is a syndicated television series that was adapted from the Knight Rider franchise and ran between 1997 and 1998. TKR was created by writer/producers Rick Copp and David A. Goodman, based on the original series created by Glen A. Larson, who was an executive producer. TKR was produced by Gil Wadsworth and Scott McAboy and was distributed by Universal Domestic Television and ran only a single season of 22 one-hour episodes before it was canceled due to poor ratings. The story is about a new team of high-tech crime fighters assembled by the Foundation for Law and Government who follow in the tracks of the legendary Michael Knight and his supercar KITT. Instead of "one man making a difference", there are now five team members who each has a computerized talking vehicle counterpart. Like the original duo, TKR goes after notorious criminals who operate "above the law" – from spies and assassins, to terrorists and drug dealers. The final episode of the season, and series, featured the reappearance of Michael Knight, seen only from behind, at the very end.

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Wacky Races (2017) is a reboot of the classic 1968 Hanna-Barbera animated series, bringing a fresh, modern take on the original premise while retaining much of the core essence that made the original show so beloved. The 2017 version, created by Warner Bros. Animation, aired on the Boomerang network and introduced a new generation to the zany, high-speed races of the characters. In this updated series, the characters from the original Wacky Races return, but with a more contemporary style and new backstories. The vehicles are also revamped with more advanced technology and a few new additions to the roster, though the classic ones like Dick Dastardly’s Mean Machine and Penelope Pitstop’s Compact Pussycat are still present.

On the heels of NBC's hit movie, the iconic 1980s television classic comes roaring back to life as a reinvented, updated and super-charged action series showcasing the new KITT (Knight Industries Three Thousand). Absolutely the coolest car ever created, KITT is equipped with an "AI" (artificial intelligence) that is capable of hacking almost any system. Its weapons systems match that of a jet fighter, and its body is capable of actually transforming into other vehicles and using sophisticated holographic imagery to elude villains.

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Major real-life air disasters are depicted in this series. Each episode features a detailed dramatized reconstruction of the incident based on cockpit voice recorders and air traffic control transcripts, as well as eyewitnesses recounts and interviews with aviation experts.

Driven was a motoring television programme launched by Channel 4 in 1998 as a rival to the successful and long-running BBC series Top Gear. The style was similar to its rival, but with additional features such as the "Driven 100", a road test of three cars in the same class, where each car would be given marks for qualities such as practicality, desirability and cost of ownership. The car with the highest total score would be the winner. The programme launched with the concept that the presenters should interact with each other rather than present items on their own, as was then the case on Top Gear. The first series also featured a "headquarters", a racing team truck, set on a former air force base at which cars were put through their paces. These concepts resurfaced in the reborn Top Gear soon after.

Nigel Spivey reveals how the images which surround us today come from the ancient world. It's an epic journey spanning five continents and a hundred thousand years of history.