Jeewan Jyoti

Mehrban is a 1967 Hindi language film written and directed by A. Bhimsingh. It is a remake of Bhimsingh's own Tamil film Padikkadha Medhai (1960) which itself was a remake of the 1953 Bengali film Jog Biyog, based on the novel of the same name by Ashapoorna Devi.

Based on a novel by Hindi writer Kamleshwar Prasad Saxena, it centers on a love triangle between two men and one woman on the margins of society.

A young man is kidnapped by a local strongman with the intention of forcing him to marry his daughter to secure a family alliance.

Sharad is head over the heels in love with Renu, his neighbour's daughter. However, problems arise when two of his employers want him to get married to either of their daughters.

Multiple love stories unfold in Barcelona during Christmas's Eve.

When a helpless student has nowhere to turn to except a housewife who's also a small-time lawyer, what they uncover is a quagmire of an educational scam.

Anirudh is a mentally ill man who falls in love with Sunita. Her guardian Mohan disapproves.

A bank employee weighed down by her jobless husband's debts - and her own broken dreams - finds a secret source of seemingly unlimited cash in her home.

A successful businessman, Yash Malhotra falls in love and marries a beautiful model named Lisa. Their marital bliss is disrupted by the entry of a fashion photographer named Peter who connects with Lisa and this betrayal leads to a series of dangerous consequences.

A beautiful young girl, possessed from childhood by a vengeful spirit, wanders around lonely places to seduce and kill people and thus, gradually becomes lost in a dark world of revenge and lust.

An honest and upright lawyer becomes a judge; marries his disabled daughter to a crook, and is blackmailed to compromise his judicial judgements.

An inheritance melodrama about Kunwar (Mahmood), the son of zamindar Himmat Singh (Sethi). Kunmar marries Shobha (Suraiya) and is disinherited, forcing him to join the army during WW2. When he is reported missing and presumed dead, a repentant Rana invites Shobha to stay with him. However, it is Kanta (Nadira), a young woman betrayed by Rana's villainous secretary Kailash (Yakub), who arrives at the house and his mistaken for Shobha. Masquerading as Shobha, who lives nearby in absolute poverty, Kanta moves in, causing a moral dilemma and generating suspense since she could be caught at any moment.

Inspector Dev Kumar and Gaurav alias Guru are childhood friends. The problem is that while Dev Kumar is with the police, his dad, Parshu Ram, works with the underworld, and is the right-hand man of Kakhan, a criminal don, who is also Guru's dad. When Inspector Khan is assigned the case of apprehending Kakhan, his first suspect is none other than Dev himself, and Dev must prove to Khan that he is earnest, and will not hesitate to arrest Kakhan. It remains to be seen if Dev will really apprehend his friend's dad, or just play around without really getting anywhere.

A wealthy man takes a grieving widow as his wife, buying her from her father-in-law, although the widow wants to remain true to her late husband's memory. Fortunately, the rich man's daughter admires and sympathizes with the filial widow, helps her hide in the countryside and then covertly gives her enough money to flee elsewhere and maintain her chastity.

Bernardo is in love with Adela and although she does not belong, he has always helped her family although they only care about money and not the virtues of man.

A poor shepherd is convinced to marry a beautiful woman. This is a Maquiavellian plan schemed by the woman's fiancé and her father.