Crows Are White

Pelican, a bakery located at Asakusa, Tokyo, becomes crowded every morning. There are only two types of bread sold. It looks ordinary but meet a bakery that has been loved for 74 years with a taste you won't get tired of even if you eat it everyday!

A view of the religious tensions between Muslims and Buddhist through the portrait of the Buddhist monk Ashin Wirathu, leader of anti-Muslim movement in Myanmar.

Street art, creativity and revolution collide in this beautifully shot film about art’s ability to create change. The story opens on the politically charged Thailand/Burma border at the first school teaching street art as a form of non-violent struggle. The film follows two young girls (Romi & Yi-Yi) who have escaped 50 years of civil war in Burma to pursue an arts education in Thailand. Under the threat of imprisonment and torture, the girls use spray paint and stencils to create images in public spaces to let people know the truth behind Burma's transition toward "artificial democracy." Eighty-two hundred miles away, artist Shepard Fairey is painting a 30’ mural of a Burmese monk for the same reasons and in support of the students' struggle in Burma. As these stories are inter-cut, the film connects these seemingly unrelated characters around the concept of using art as a weapon for change.

Following in the footsteps of his father, Folco Felzani embarks on an epic journey on foot in search of Mustang, the last lost kingdom, in northern Nepal. The story of a king without a kingdom. The adventure of a son without a father.

An experimental journey through a year in the life of the director, using his always playing playlist to cross the boundaries of fiction and documentary. Through scenes of both comedy and tragedy, realistic documentary footage and experimental sequences of the director's environment and daily life we get a sometimes estranging image of a young man and also an intriguing insight in his mindset and how this translates to the imagery on screen.

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The Kabul National Museum, once known as the "face of Afghanistan," was destroyed in 1993. We filmed the most important cultural treasures of the still-intact museum in 1988: ancient Greco-Roman art and antiquitied of Hellenistic civilization, as well as Buddhist sculpture that was said to have mythology--the art of Gandhara, Bamiyan, and Shotorak among them. After the fall of the Democratic Republic of Afghanistan in 1992, some seventy percent of the contents of the museum was destroyed, stolen, or smuggled overseas to Japan and other countries. The movement to return these items is also touched upon. The footage in this video represents that only film documentation of the Kabul Museum ever made.

An on-the-scene documentary following the events of September 11, 2001 from an insider's view, through the lens of two French filmmakers who simply set out to make a movie about a rookie NYC fireman and ended up filming the tragic event that changed our lives forever.

A story about 6 kids who grew up together and stayed together, once strangers, then friends, now family. Both a video diary and a travelogue, this coming-of-age film explores the fleeting moments of youth, reflecting on nostalgia, connection, and the bonds that endure as we grow older. A chapter in the story we've been writing since we were kids, these are the days we'll look back on.

The crew of kontroll.hu traveled to Transcarpathia, Ukraine, to film among orphaned children in Munkács and lonely elders in Tiszakeresztúr. The documentary follows a single day in the life of Reverend József Sipos, a Reformed pastor whose calling extends far beyond the pulpit. From abandoned hospital wards to remote village homes, he brings words of comfort, food, and aid to those left behind in the shadow of the Russian–Ukrainian war. Just a mile and a half from the Hungarian border—a mile and a half from peace—the film reveals the stark reality of life lived on the very edge of hope.

Join Megan McCormick on a journey of discovery across Japan's spectacular heartland starting in Japan's beautiful former capital Kyoto. She explores Buddhist temples, World Heritage Sites, and bargains at the city's best flea market. She then travels to Osaka, and Iga-Ueno, a former ninja stronghold, where she learns the secrets of these famously skilled assailants. She also visits the remote Sado Island and Himeji.

A Zen priest in San Francisco and cookbook author use Zen Buddhism and cooking to relate to everyday life.

After Paul Oakenfold and Tiësto lift DJs to rock star icons, a new generation wrestles with excesses that threaten to upend a musical movement. Festivals replace raves, EDM "drops" take over, a company goes bankrupt and DJs "press play."

In the year following the 9/11 terrorist attacks, young journalist Claude Baechtold finds himself in the war zone of Afghanistan. Not entirely voluntarily, the avowed anti-militarist is dragged by two fearless reporters on a round trip through the entire country.

After more than twenty years, Swiss musician Dino Brandão travels to Angola to give a concert in his father's home country. Confronted with his family's past and questions about his own identity, Dino is triggered into a manic episode.

Friends since high school, 20-somethings Kaleil Isaza Tuzman and Tom Herman have an idea: a Web site for people to conduct business with municipal governments. This documentary tracks the rise and fall of govWorks.com from May of 1999 to December of 2000, and the trials the business brings to the relationship of these best friends. Kaleil raises the money, Tom's the technical chief. A third partner wants a buy out; girlfriends come and go; Tom's daughter needs attention. And always the need for cash and for improving the site. Venture capital comes in by the millions. Kaleil is on C-SPAN, CNN, and magazine covers. Will the business or the friendship crash first?