There is No Poverty at the End of Labor

A man fakes an engagement to a typist to please his rich aunt.

One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.

A masked criminal who dresses like a giant bat terrorizes the guests at an old house rented by a mystery writer.

A general store clerk and aspiring detective investigates a mysterious disappearance that took place quite close to an empty insane asylum.

A film crew is shooting a movie about guns and robbers, when real robbers turn up. Having to go home in robbers costume, they are mistakingly accused of a robbery. One of the earliest films portraying bisexual characters.

An artist is painting a sunrise at sea. After a few finishing touches he stands back and admires the painting. The sun immediately commences to rise. From all appearances it becomes very warm as the sun rises, and the artist is seen to throw open the window and fan himself furiously. The climax is reached when the artist rushes from the room and returns with a large tub of water and a pair of tongs. Seizing the sun as it soars in the air he plunges it into the tub, causing a great cloud of steam to rise.

In April 1933, Korea’s Japanese occupiers launched the country’s first radio station, JODK. It broadcasts propaganda so as to better brainwash the Korean people into becoming loyal Japanese citizens. In need of a Korean producer for a radio drama about the greatness of Japan’s Asian Empire, they appoint Lloyd Park, a young man who has only joined the radio station through his father’s connections.

The film consists of a series of tightly interlinked vignettes, the most sustained of which details the story of a man and a woman who are passionately in love. Their attempts to consummate their passion are constantly thwarted, by their families, by the Church and bourgeois society in general.

Six burglars separately break into the Vickers mansion on Long Island to loot the safe but catch each other in the act. They all pretend to be members of the household when locked in by a well meaning police officer.

A tramp cares for a boy after he's abandoned as a newborn by his mother. Later the mother has a change of heart and aches to be reunited with her son.

A newlywed couple tries to make her sea captain Uncle feel like a welcome house guest by giving him all the comforts of the sea...

Detective Dublin Dan pursues a gang of counterfeiters including the leader, John Forsythe, who just escaped from prison.

Under Japanese imperialism, Korean national treasure Golden Buddha is stolen. More important to national security, the statue contains vital information concerning Korean freedom fighters and their whereabouts as well as their true identities. The interim Korean government appoints legendary Korean spy Agent Dachimawa Lee to recover the fabled statue and reveal the dark plot behind the theft.

Anita and Marion realize that an abandoned baby they sneaked into an orphanage was kidnapped from a millionaire. For the reward, they proceed to break into the institution at night, dressed as men to beat curfew, to get the kid out again. This film survives only in very fragmentary form.

A young man gets engaged to a business competitor's daughter.

A bumbling tramp desires to build a home with a young woman, yet is thwarted time and time again by his lack of experience and habit of being in the wrong place at the wrong time...