Megacities

The river Yamuna, known to the locals as 'Jamna', the lifeline of Delhi, is going through a major crisis due to pollution, mismanagement and sheer ignorance. A documentary crew tries to make sense of the situation by talking to different stakeholders and Shyam - a boatman who relies on the river for his livelihood.

Following four Lakota families over three years, Homeland explores what it takes for the Lakota community to build a better future in the face of tribal and government corruption, scarce housing, unemployment, and alcoholism. Intimate interviews with a spiritual leader, a grandmother, an artist, and a community activist from South Dakota’s Pine Ridge Indian Reservation reveal how each survives through family ties, cultural tradition, humor, and a palpable yearning for self-reliance and personal freedom.

1995. On the outskirts of Abidjan, the largest city in Ivory Coast, a policeman is murdered. Shot outside his vehicle, while his fiancée sits in the car, terrified. Superintendent Kouassi is the detective in charge of the investigation. Tall and lanky, he moves with the tired energy of a man who has seen it all. Drawing on a network of underworld characters with dubious information, Kouassi’s team begins bringing in potential suspects and subjecting them to horrific brutality: beating them with sticks, hanging them upside-down, threatening their lives. Some of the men are left so broken they have to literally drag themselves into Kouassi’s office later, to be interrogated while lying on the floor, their bodies a mess of bruises, broken bones, and lacerations.

No description available.

As police and DEA agents battle sophisticated cartels, rural, economically-disadvantaged users and dealers–whose addiction to ICE and lack of job opportunities have landed them in an endless cycle of poverty and incarceration–are caught in the middle.

A woman who had been raped and whose family wiped out by the collaborators of the occupying forces during the bloody "liberation war" of Bangladesh in 1971 now roams the streets, 30 years later, as a mad person.

The story of Severino, a man who tries to escape the misery and the drought prevailing in the rural backcountry of the Northeast of Brazil. He heads for Recife, passing through desert and forest regions, expecting to find a better life.

Peter Watkins' global look at the impact of military use of nuclear technology and people's perception of it, as well as a meditation on the inherent bias of the media, and documentaries themselves.

The Fall of the I-Hotel brings to life the battle for housing in San Francisco. The brutal eviction of the International Hotel's tenants culminated a decade of spirited resistance to the razing of Manilatown. The Fall of the I-Hotel works on several levels. It not only documents the struggle to save the I-Hotel, but also gives an overview of Filipino American history.

Charlie Marx and the Chocolate Factory started as an investigation of the link between politics and chocolate, at the Karl Marx Confectionary Factory in Kiev, Ukraine. Since access to the factory was denied, the project had to be re-considered, re-invented or re-enacted. Mostly made of archival footage and re-enacted performances based on the company's website, the film merges what was left of the initial idea with what has been collected and realized instead. It borrows from the genres of video art, 'Man on the street' interview, direct address, corporate film, essay, and music video, without legitimately belonging to any of them. The film unravels as a reflection on its own failure, and yet keeps on investigating what has always been at stake: the shift from public to private property (and from analog to digital technology), dialectics of permanence and change, language as a mirror of ideology, and post-Soviet oligarchy culture.

The personal and social tragedy of drug addiction with its evil accompaniment, drug traffic. Over the side of the silent liner in the darkness slips the package of smuggled narcotics, introducing us to the complex problem which involves all races and classes of man. We see many aspects of addiction - the addict preparing an injection, a group waiting tensely for their dope peddler; agents preparing and adulterating the illegal product; the police catching a pusher red-handed. International and national authorities are working from two angles - suppression of the illicit traffic; and where possible, rehabilitation of the addict.

Aspects of a London day, including prostitutes on street corners, a striptease show and the 2i's Coffee Bar.

Documentary following Serbian football coach Zoran Đorđević as he helps form South Sudan's first national football team.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Documentary film about a slum community on the outskirts of Recife, a major city in northeastern Brazil. A portrait of life in extreme poverty and lawlessness: men without work, hopeless women, hungry and sick children.

1961 documentary about the history and seedy reality of the sex industry in London's Soho.