Nous avons des cendres pour offrandes

Orphaned after a Nazi air raid, Paulette, a young Parisian girl, runs into Michel, an older peasant boy, and the two quickly become close. Together, they try to make sense of the chaotic and crumbling world around them, attempting to cope with death as they create a burial ground for Paulette's deceased pet dog. Eventually, however, Paulette's stay with Michel's family is threatened by the harsh realities of wartime.

Marie, the charming daughter of Italian immigrants, has a dream : to become rich. In Roubaix, where she lives, she meets and marries small-time crooner Marcel Potier. Together they leave for the South of France where they live happily but poorly. Now, Marie hasn't forgotten her hopes of wealth and with this aim still in mind she pushes Marcel into becoming the swimming instructor of Achille Zopoulos, an oil tycoon.

In 17th-century Tuscany, a church play is performed for the benefit of young aristocrat Cosimo. In the play, a grotesque old woman gives birth to a beautiful baby boy. The child's older sister is quick to exploit the situation, selling blessings from the baby, and even claiming she's the true mother by virgin birth. However, when she attempts to seduce the bishop's son, the Church exacts a terrible revenge.

Special Forces Captain Aldo Paccione must pull together his former world team Delta Force and go deep within the mines of Sardinia when it is discovered that a vengeful band of mercenaries are developing deadly biochemical weapons.

A disturbed young embalmer digs the grave of his recently deceased girlfriend and brings her body to his family villa with help from his strange housekeeper. But his bouts of insanity are just beginning.

This short documentary sifts through the pages of a woman's diary who has recently begun to write her memoir. As she looks back at her life and some of her memories, the film explores the ordinary act of writing and the value and meaning it may hold in mundane everyday life.

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On a 19th century Caribbean island, slaves revolt against their beautiful and sadistic mistress.

In an underground orchard in Bethlehem, decades after an otherworldly ecodisaster, two scientists discuss exile, loss and nostalgia.

When her husband goes missing at the beach, a female professor begins to mentally disintegrate as her denial of his disappearance becomes delusional.

After the death of his girlfriend, a tortured man seeks vengeance on the drug dealer responsible for her death.

A man wanders around the mountains with a bleeding leg, holding a rifle in his hand. Seemingly a fugitive, he runs from as-yet unknown pursuers, but he also seems to be following somebody who has already walked the same path. As he hides in a secluded cave, past memories sweep through his exhausted mind, memories of lifelong cowardice and evasion. And this recollection leads to a reconstruction of early 20th century Korean history. Winner of Best Picture (Nam-a Pictures Co., Ltd.), Best Actor (Ha Myung-joong), Best Art Direction (Kim Yoo-joon), Best Lighting (Son Young-cheol) at the 14th Grand Bell Awards. (source: Jiro Hong, koreanfilm.org)

After a teenager has a terrifying vision of him and his friends dying in a plane crash, he prevents the accident only to have Death hunt them down, one by one.

The free, almost naive view from the perspective of a child puts the "68ers" in a new, illuminating light in the anniversary year 2008. The film is a provocative reckoning with the ideological upbringing that seemed so progressive and yet was suffocated by the children's desire to finally grow up. With an ironic eye and a feuilletonistic style, author Richard David Precht and Cologne documentary film director André Schäfer trace a childhood in the West German provinces - and place the major events of those years in completely different, smaller and very private contexts.

When a worker is found murdered on the construction side, the investigation swiftly turns from things criminal to the political circumstances surrounding the building itself. Widespread corruption and neglect by the builder himself are seen to have brought the situation about. Much of the movie is filmed using hand-held cameras, and the majority of the dialogue is in the difficult-to-understand and very slangy Spanish dialect of Mexico City's bricklayers.

Alex Corvis, a man wrongly executed for the murder of his girlfriend, returns from the dead and sets out to find the real killer.