The Land of Owls

The story of Elliot Tiber and his family, who inadvertently played a pivotal role in making the famed Woodstock Music and Arts Festival into the happening that it was. When Elliot hears that a neighboring town has pulled the permit on a hippie music festival, he calls the producers thinking he could drum up some much-needed business for his parents' run-down motel. Three weeks later, half a million people are on their way to his neighbor’s farm in White Lake, New York, and Elliot finds himself swept up in a generation-defining experience that would change his life–and American culture–forever.

Expecting the usual tedium that accompanies a summer in the Catskills with her family, 17-year-old Frances 'Baby' Houseman is surprised to find herself stepping into the shoes of a professional hoofer—and unexpectedly falling in love.

A single mother's life is thrown into turmoil after her struggling, rarely-seen younger brother returns to town.

Buddy Young was the comic's comic, beloved by everyone. Now, playing to miniscule crowds in nursing homes, it seems like everybody but Buddy realizes that he should retire. As Buddy looks for work in show business, he realizes that the rest of the world has forgotten the golden days of Buddy Young, and that there just may not be room in the business for an old comic like himself.

Tyler joins his friend on a trip to the Catskills for a weekend birthday party with several people he doesn’t know. As soon as they get there, it’s clear that (1) he’s the only black guy, and (2) it’s going to be a weekend of heavy drinking. Although Tyler is welcomed, he can’t help but feel uneasy in “Whitesville.” The combination of all the testosterone and alcohol starts to get out of hand, and Tyler’s precarious situation starts to feel like a nightmare.

Spending the summer at a Catskills resort with her family, Frances "Baby" Houseman falls in love with the camp's dance instructor, Johnny Castle, and nothing is ever the same for anyone in the Houseman family.

Serio-comic look at the residents and staff of a Catskill Mountains resort during its final days.

A former investigative journalist goes undercover at a psychedelic wellness center to find her missing sister. What she uncovers is far more unsettling than she expected. Wet Paper Bag is a psychological drama that explores identity, control, and the quiet tension beneath carefully constructed lives.

A recently jilted dancer follows her ex-boyfriend to his new home, where she insinuates herself into his new relationship.

A young woman is hired by a finance couple to tutor their son at their summer lake house, and finds herself increasingly enmeshed in the undisclosed darkness of their past.

Calvin and Hanna's relationship comes under threat when their Brazilian holiday resort turns out to be an experimental therapy centre.

A film with very little dialogue. Set in the Catskills of 1896 – 1916, a farmer buries his deceased wife atop a nearby mountain, then makes the difficult decision to give up his newborn son, Jonathan. Later in 1916, Jonathan returns to confront his past. The only real dialogue is a voice over of the father reading a letter he wrote to his son explaining himself.

Down the road from Woodstock in the early 1970s, a revolution blossomed in a ramshackle summer camp for disabled teenagers, transforming their young lives and igniting a landmark movement.

There isn't much left of the once-grand Catskill Mountain House. The lavish resort hotel was perched on a precarious ledge in Greene County for over a century. During its 19th-century heyday, the hotel embodied the peak of luxury for a generation of the rich and famous. But like many resort hotels of the Catskills' glittering past, the Mountain House fell into disuse in the 20th century and was finally destroyed by the state of New York in 1963 to return its scenic overlook to wilderness. The Catskill Mountain House and The World Around was given the Gold Remi Award by the 44th WorldFest Houston International Film Festival!

A pair of scavengers discover something strange after wandering onto the property of a mysterious technician.

At its peak, one million New York Jews spent their summers in the Borscht Belt, the birthplace of Jewish-American iconoclastic humor. This film shows how these Catskills communities were run by women, and how class divisions were reflected in the resort hotels: upwardly-mobile hotel guests were entertained by a who's-who of talent, while in the bungalows, do-it-yourself burlesque and vaudeville reigned among the blue-collar families. This film is happy, humane, ironic, and, finally, bittersweet, as we see that today's Jews no longer share the tastes or aspirations of their parents.