The Fallen Feather: Indian Industrial Residential Schools and Canadian Confederation

The Indian Act, passed in Canada in 1876, made members of Aboriginal peoples second-class citizens, separated from the white population: nomadic for centuries, they were moved to reservations to control their behavior and resources; and thousands of their youngest members were separated from their families to be Christianized: a cultural genocide that still resonates in Canadian society today.

An expedition to climb British Columbia's highest mountain goes awry in the face of bad weather, a series of comic mishaps and the stubborn insistence of its leader on using antique climbing equipment.

The world knows the image of the good Canadian. But what if there was a dark secret behind a national identity? THE GOOD CANADIAN exposes the truth behind the idea of a True North strong and free. In this unflinching and eye-opening documentary, directors Leena Minifie and David Paperny move us through the corridors of systemic inequity, from the Indian Act to residential schools, to modern-day family separation. Fusing shocking footage with detailed interviews with experts, advocates, whistleblowers and politicians, THE GOOD CANADIAN challenges national myth-making, while offering Canadians the chance to forge a new identity from the truth.

A documentary recounting the kidnappings of British Trade Commissioner James Cross and Quebec Vice-Premier & Minister of Labour Pierre Laporte by the FLQ on October 5, 1970 in Quebec.

Christmastime at the Roman Catholic-run Kamloops Indian Residential School in British Columbia.

Carrie Davis was part of the child removal system near the end of the Sixties Scoop. With guidance from her uncle Emmett Sack and the community, Carrie reconnects to their land, language, and culture.

In 1921 the Kwakiut'l people of Alert Bay, British Columbia, held their last secret potlatch. In 1980 at Alert Bay, the U'mista Cultural Centre (U'mista means "something of great value that has come back") opened its doors to receive and house the cultural treasures which were seized decades earlier and only then returned to the people. The center also took up activities such as recording stories told by elders so that some part of the past would always be alive and teaching children about their heritage in order to make them feel connected to their ancestors. This film documents the cultural significance of these events for today's Kwakiut'l people. It is an eloquent testimony to the persistence and complexity of Kwakiut'l society and to the struggle for redefining cultural identity for them.

Presents the history of the conflict between the Canadian government and the Kwakiutl Indians of the Northwest Pacific over the ritual of the Potlatch. Archival photographs and films, wax roll sound recordings, police reports, the original potlatch files, and correspondence of agents form the basis of the reconstruction of period events, while the film centres on a Potlatch given today by the Cranmer family of Alert Bay.

Today it is the city of Montreal, but 3 centuries ago the tiny band of missionary founders called it Ville-Marie, the holy city of Mary. This film goes back to its beginning and those who felt called to plant an oasis of Christianity in the North American wilderness. In an imaginative, at times almost surrealistic, way the film recalls the highborn company from France, and shows what survives of Ville-Marie in the Montreal of today.

The testimonies of the Mashteuiatsh Puakuteu women's committee punctuate this intimate short film about mourning and healing. Throughout the doll-making workshops, the women share their doubts and hopes and build a space filled with strength and solidarity.

Filmed on location in Saskatchewan from the Qu'Appelle Valley to Hudson Bay, the documentary traces the filmmaker's quest for her Native foremothers in spite of the reluctance to speak about Native roots on the part of her relatives. The film articulates Métis women's experience with racism in both current and historical context, and examines the forces that pushed them into the shadows.

This film explores how Canada wavers between rejection and acceptance of closer ties with the United States, tracing the historical precedents of current issues between the two nations. Canada continues to question her identity despite the influence of a powerful neighbour.

The Élan School was a for-profit, residential behavior modification program and therapeutic boarding school located deep within the woods of Maine. Delinquent teenagers who failed to comply with other treatment programs were referred to the school as a last resort. Treatment entailed harsh discipline, surveillance, degradation, and downright abuse. Years later, the patients who were institutionalized in this facility still carry the trauma they endured, with mixed opinions on the impact of their experience.

Renowned as the richest gold strike in North American mining history, the Klondike Gold Rush (1896-1899) set off a stampede of over 100,000 people on a colossal journey from Alaska to the gold fields of Canada's Yukon Territory. Filled with the frontier spirit, prospectors came and gave rise to what was one of the largest cities in Canada at that time - Dawson City. The boomtown, which became known as "the Paris of the North", earned the reputation as a place where lives could be revolutionized. Brought to life with excerpts from the celebrated book The Klondike Stampede - published in 1900 by Harper's Weekly correspondent Tappan Adney - and featuring interviews with award-winning author Charlotte Gray, and historians Terrence Cole and Michael Gates, The Klondike Gold Rush is an incredible story of determination, luck, fortune, and loss. In the end, it isn't all about the gold, but rather the journey to the Klondike itself.

A poetic exploration of the multi-generational affects of Canada's Indian Residential School system, based on the personal trials of Aboriginal playwright Yvette Nolan.

Phil Comeau shines a spotlight on the Ordre de Jacques-Cartier, a powerful secret society that operated from 1926 to 1965, infiltrating every sector of Canadian society and forging the fate of French-language communities. Through never-before-heard testimony from former members of the Order, along with historically accurate dramatic reconstructions, this film paints a gripping portrait of the social and political struggles of Canadian francophone-minority communities.