A Midsummer Night's Dream

Titus Andronicus returns from the wars and sees his sons and daughters taken from him, one by one. Shakespeare's goriest and earliest tragedy.

Hamlet and Ophelia reckon with their doomed narratives. Adapted from the 1977 East German Heiner Müller play of the same name.

Premiering on BBC as a part of their Sunday-Night Theatre program, this 1955 adaptation of Shakespeare's classic play closely follows the original text. The Montagues and Capulets, two families of Renaissance Italy, have hated each other for years, but the son of one family and the daughter of the other fall desperately in love and secretly marry.

The Moorish general Othello is manipulated into thinking that his new wife Desdemona has been carrying on an affair with his lieutenant Michael Cassio when in reality it is all part of the scheme of a bitter ensign named Iago.

An evocative and imaginative exploration of the racial tensions in Othello and how the themes in Shakespeare's play still resonate today.

In this contemporary take on William Shakespeare's classic tragedy, the Montagues and Capulets have moved their ongoing feud to the sweltering suburb of Verona Beach, where Romeo and Juliet fall in love and secretly wed. Though the film is visually modern, the bard's dialogue remains.

Recorded from the West End, Kiss Me Kate follows a pair of divorced actors brought together to participate in a musical version of The Taming of the Shrew. Of course, the couple seem to act a great deal like the characters they play, and they must work together when mistaken identities get them mixed up with the mafia.

Young lovers living under an oppressive state-rule flee their home-city to change their lives, and end up changing the world. After all, love changes everything.

Noble Moroccan Othello finds his life with beautiful, fiercely loyal Desdemona thrown tragically out of balance when secretly jealous, scheming confidante Iago begins an insidious campaign of lies and treachery.

Spurred by the devious Iago and believing that his beloved Desdemona has betrayed him, Othello destroys his own happy world. Accomplished film, television, and stage actor Patrick Stewart plays Othello joined by a Black cast, including Franchelle Stewart Dorn as Emilia. This bold, new look at the play highlights one of its major themes of “otherness.”

The head of the Kimberly household rules it with an iron fist. Unfortunately the head of the Kimberly household isn't Grant (J.H. Gilmore), the father and wealthy Wall Street magnate -- it's his spoiled, headstrong daughter Catherine (Virginia Pearson). She is so willful that she has earned the name "Impossible Catherine," and her whole focus in life is to prove women's superiority over the masculine gender.

Shakespeare’s Othello is revisited exactly as it was written, brought into the present through the power of dialect alone. Iago, Othello, and Desdemona are regrettably still among us, in contemporary events told through a great classic. Set in the early 2000s, it is a timeless story where good and evil intertwine in a maelstrom of deceit, betrayal and mad jealousy.

Manipulated by his jealous ensign Iago, the Moorish general Othello is driven to believe that his new wife Desdemona is unfaithful, setting in motion a chain of deception, jealousy, and violence that leads to tragedy.

The evil Iago pretends to be friend of Othello in order to manipulate him to serve his own end in the film version of this Shakespeare classic.

King Lear is a proud man who solicits praise from his three daughters in return for inheritance of the kingdom. Daughters Goneril and Regan profess their affection vehemently. Cordelia, who does not respect the process her father has chosen, does not humor him. Lear's perceived rejection from Cordelia leads to her banishment, thus splitting the kingdom between the other two. This hasty decision becomes his fatal error.

As the saying goes, “Shakespeare invented him, Verdi made him immortal” – and, surely, it was Bryn Terfel who defined him. Terfel first sung Falstaff in 1999, and in 2021, the bass-baritone superstar returns once more to the role at Grange Park Opera. In a production by Stephen Medcalf first shown in the 17th century Farnese theatre in Parma in 2011 with designs that are truly Falstaffian including sensational backcloths by Italian supremo Rinaldo Rinaldi.