La Cumbre

Mudos testigos is a cinematographic collage made from all the surviving material of Colombian silent films, re-editing the images in such a way as to create a single imaginary film: the impossible love story of Efraín and Alicia that traces the convulsive first half of the twentieth century in Colombia. Compiled by the late Luis Ospina and finished posthumously by Jeronimo Atehortúa.

An intimate and personal reflection on the conditions of work in the 21st century, seen through the eyes of a bike delivery person. From nostalgia to frustration with Swedish punk running in the background, this film immerses us in the universe of one of many workers in the so called gig economy.

In 1945, in the train station of Bogota, Colombia, a dead girl is found in a trunk. The case is assigned to Detective Mariano Corzo, he has to deal with an inquisitive journalist Hipólito Mosquera while trying to solve the mysterious case. Nobody knows who the girl is, or who put her in the trunk. The things turn bad when Mosquera publish the news in the local newspaper. With the help of a bartender Martina Quijano, Corzo will find an answer for the question: Who killed the girl and why?

During the marijuana bonanza, a violent decade that saw the origins of drug trafficking in Colombia, Rapayet and his indigenous family get involved in a war to control the business that ends up destroying their lives and their culture.

El Perro, a kidnapped soldier, takes advantage of a confrontation between his captors and the paramilitaries to escape. In his escape, he takes refuge in the house of a peasant family that keeps a dark secret that he must solve to be free.

While abroad Colombians are the bad guys, in Colombia foreigners are the kings. And Vigo, a Swede who arrives to Colombia, will be no exception: he will be received as a prodigal son. He will soon discover that even with so much human warmth, in the country of the Sacred Heart of Jesus, magical realism is lived in the midst of chaos, impetus and thoughtlessness, which between tears and laughter blurs the fine line between good and evil.

A young Colombian man receives a voice message from home while grappling with cultural differences at a London dinner party with his new English girlfriend.

In Miami’s neon-lit streets, “EXOTIC” follows Alejandro Vasquez, a charismatic entrepreneur leading a double life. Publicly, he runs an exotic car rental business, but secretly, he operates a criminal organization for the Calamar Cartel. His life is upended when Isabella, a New York journalist, arrives to expose Miami’s underworld. As she gets closer to the truth, tensions rise and loyalties are tested. “EXOTIC” is a thrilling tale of crime and redemption, blurring the line between hero and villain against Miami’s glamorous backdrop.

A Colombian actress named Zahinabu is finally having her first audition in New York, for a Latina role. It could be the opportunity that she has been waiting for since she arrived to US. But the audition takes a different direction when the casting group needs to consider the great audition from this Latina woman who doesn't look like a "latina".

María tells the tragic love story of María, a beautiful young woman, and her half brother Efraín, a handsome young man from Valle del Cauca. They both fall in love and live their romance on the farm "El Paraíso", in Valle del Cauca, but not everything is rosy, since Efraín must go to Bogotá because of study reasons leaving María with pain in her soul. Some time later, María becomes ill and Emma tells her brother about the situation.

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A documentary that follows several American fighters as they train for and fight in the first world open karate tournament in Japan.

Frank Sinatra: In Concert at the Royal Festival Hall was an CBS musical television special starring Frank Sinatra broadcast on February 4, 1971, of a concert given by Sinatra at London's Royal Festival Hall on November 16, 1970. The special was directed by Bill Miller, and produced by Harold Davison. Sinatra was introduced on stage by Grace Kelly. Kelly had starred alongside Sinatra in the 1956 film High Society, the last film she made before her marriage to Rainier III, Prince of Monaco. Sinatra had been follicularly challenged for many years, hence all the hats in publicity stills, album covers etc. TV directors were forbidden to photograph him from the back because of this. However, at this concert, Sinatra had completed a very successful hair transplant and deliberately turned his back on the main audience a couple of times to acknowledge the audience sitting backstage, along with running his hand over the back of his head to draw attention to his new coiffure.

Charged with the electricity of a heavyweight prizefight, " The Main Event " was filmed live at Madison Square Garden, a venue usually reserved for sporting events and rock 'n' roll concerts. Sinatrra dazzies the crowd with contemporay numbers as " You are the Sunshine of My Life ", " Let Me Try Again " and delivers the knockout blow with signature tunes " My Kind of Town " and " My Way ".

For over thirty years, three women have languished in Missouri State prison under unjust sentences for killing their abusive husbands. Denied the opportunity to enter the abuse into evidence, each of the women represents a system broken by outdated and media-sensationalized stereotypes. When a greater understanding of the "battered" syndrome change legal practices in 2000, Missouri's Governor crafts a new law demanding the parole board reevaluate each woman's case.

An exploration of the rise of Héroes del Silencio, the seminal 1980s Spanish rock band anchored by Enrique Bunbury.