The Forgiveness of Blood

In early 1980s Manhattan, a pair of Irish-American brothers become embroiled in a conflict with the Irish Mob.

Gus Van Sant tells the story of a young African American man named Jamal who confronts his talents while living on the streets of the Bronx. He accidentally runs into an old writer named Forrester who discovers his passion for writing. With help from his new mentor Jamal receives a scholarship to a private school.

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The son of the wealthy Signor Della Corba loves one of his maids. Her brothers and father rebel at the idea of this union. But the girl is pregnant, and after the birth of the child, Della Corba's son decides to kidnap his mistress on Carnival Day. The brothers, having caught wind of the plan, kill him, then, in disguise, take him masked to his father's house, passing him off as a drunken friend. At dawn, Della Corba discovers her lifeless son under the mask. The maid having died in the meantime, he takes the child in and adopts him.

The gypsy Azucena (Fiorenza Cossotto) takes revenge for her mother who was accused of putting a curse on one of the old Count di Luna's two sons: she decides to abduct the younger child and throw it in the flames. But when she is about to carry out this fatal act, the gypsy sacrifices her own child and keeps the old Count’s son, whom she names Manrico (IL TROVATORE, Plácido Domingo). Later, as adults, the troubadour Manrico and the Count di Luna’s elder son (Piero Cappucilli) do not know each other, but become rivals for the beautiful Leonora (Raina Kabaivanska). Manrico succeeds in winning the young woman’s heart, and she sacrifices herself for him, deceiving the Count’s son. Mad with jealousy, the latter orders the execution of the troubadour in front of his mother. Azucena reveals to him that Manrico was his brother. This legendary performance of Giuseppe Verdi's most successful opera was recorded at the Vienna State Opera under the baton of Herbert von Karajan.

After a newlywed's husband apparently dies in a plane crash, she discovers that her rival for his affections is pregnant with his child.

Cultured Mario and outlaw Lucien, twins separated at birth, join forces to avenge their parents' death at the hands of evil Colonna. Because each feels all the same sensations experienced by the other, swordplay is difficult for them. Worse yet, raised very differently, they struggle to find common ground between their conflicting personalities. But to defeat their enemy, the two will have to overcome the obstacles and work as a team.

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Don Paolo, a young parson troubled by his love for Agnese, tries to make peace in a little village in Sardinia where two families are at war.

A soon-to-be released criminal and a corrections officer is still grieving over the death of his sister opposing the prisoner's release.

In a world where vendettas are officially sanctioned, the people sometimes needed help in carrying out their vengeance. Sanada Hiroyuki stars as Sukeroku the Helper, a ‘cool and rambling yakuza’ that has made a business out of helping victims carry out their revenge. When he returns to his hometown to pay a visit to his mother’s grave he meets a deadly ronin who carries a secret which eventually leads him into a vendetta of his own.

In January 1810 in Edo, Kikunosuke, the 17-year-old-son of a murdered samurai, takes revenge on his father's murderer, Sakubai, who was his father's former retainer. Kikunosuke gloriously defeats the swaggering Sakubai in single combat in front of a theater, witnessed by a huge audience that had just finished watching a production of 47 Ronin. With Sakubai's severed head, Kikunosuke has achieved his revenge and ensured that his family won't be exiled. 18 months later, a ronin named Soichiro Kase from Kikunosuke's domain arrives at the theater. While he seems silly and smooth-talking, he's very keen on finding out more about the incident and Kikunosuke's time working at the theater. The theater's staff – the barker Ippachi, the swordsmanship teacher Sagara, the costumer Hotaru, the craftsman Kyuzo, and the playwright Kinji – are apprehensive and suspicious at his digging. However, not everything is as it seems.

Alain, the architect, lives secluded in his luxurious finca in the outback. He solely wears women's clothes und avoids any contact to people. When he's forced to break out, neither the outside world nor his inner world seem to be ready.

Young Al Capone catches the eye of Johnny Torrio, a criminal visiting New York from Chicago. Torrio invites Capone to move to Illinois to help run his Prohibition-era alcohol sales operation. Capone rises through the ranks of Torrio's gang and eventually takes over. On top, he works to consolidate his power by eliminating his enemies, fixing elections to his advantage and getting rich. In his spare time, Capone courts the principled Iris Crawford.

A homely maid and a scarred ex-GI meet at the cottage where she works and where he was to spend his honeymoon prior to his accident. The two develop a bond and agree to marry, more out of loneliness than love. The romantic spirit of the cottage, however, overtakes them. They soon begin to look beautiful to each other, but no one else.

The tale of the famous vendetta, vengeance over the years between two families. For nearly nothing at the start, as always with Sicilians or Corsican people, from the underworld or not...