O Muro

Broadway director Julian Marsh needs just one more hit show so he can retire and recover his health. It looks like he just may pull it off until temperamental star Dorthy Brock breaks her ankle on the eve of the show's premiere and has to be replaced by her understudy Peggy.

A temperamental Broadway producer trains an untutored actress, but when she becomes a star, she proves a match for him.

Bruce, a young theatre director, is desperately trying to rehearse the perfect birthday only to realize that the unexpected cannot be avoided in his play nor in his life.

Mickey guest-directs a radio orchestra. The sponsor loves the rehearsal, but come the actual performance, Goofy drops all the instruments under an elevator, so they sound like toys. The sponsor hates it, but the audience loves it anyway.

An actress rehearses a script in her hotel room.

Ela, a young actress, gets a role with the well-known theatre director Franz Kramer. The production is a great opportunity for Ela, but also comes with pressure. Kramer constantly oversteps Elas boundaries, and the situation worsens when Kramer sexually harasses her. Ela struggles to reconstruct her role as a self-confident character-and realizes that to do so, she has to take the same steps of self-empowerment in her real life.

“Kerstin” is driven by the opinions and expectations of her coaches and colleagues. Through various rehearsals, theoretical considerations and intensive coaching-practices, some more, some less successful, she springs from one island to the next, to play “Irena”, the female protagonist in the film “Cat People”.

Fay Wray plays a beautiful showgirl who falls for a rich Park Avenue guy played by Phillips Holmes. William Powell is a producer in love with Miss Wray, but he won't use his influence to take any advantage... as usual, he's a perfect gentleman.

The actor Max meets the student director Stefan for a rehearsal. When Max and Stefan start to work on the script, however, the difficulties begin on page five. When Max receives a message from his agent, the situation takes a turn for the worse. In the end, despite good and bad news, there can only be insults, right?

Cecil Taylor was the grand master of free jazz piano. "All the Notes" captures in breezy fashion the unconventional stance of this media-shy modern musical genius, regarded as one of the true giants of post-war music. Seated at his beloved and battered piano in his Brooklyn brownstone the maestro holds court with frequent stentorian pronouncements on life, art and music.

Kelly surprises Nancy late one night when he returns unexpectedly to the cold dark stage of an empty theater where they are currently in rehearsals for a stage play, a murder mystery. Kelly and Nancy have a lurid and salacious history as actors and lovers. He's come back to pick up a script. She's there to meet her husband the playwright. They're surprised to discover new props litter the stage; a real dagger, a loaded revolver and a blood-stained playing card, a Joker. As certain events begin to unfold, the reality of this “play-within-a-play” leads to a deadly finale where they find themselves caught up in a web of lies and deceit. And someone may pay the ultimate price in a deadly finale! Joker's Wild pays homage to film-noir, an 'Agatha Christie like' one act, a murder mystery that also has some fun referencing the post war classics. And was a festival favorite seen at various film festivals, broadcast on HBO and others, and won various awards such as a CINE Golden Eagle.

Successful playwright Felix Webb has a new play, 'The Hit Man', in rehearsal. Directed by his old friend Humphrey, it is already being hailed as a masterpiece; but Felix can't enjoy his success. He has fallen passionately in love with Hilary, a beautiful, fiesty young actress, and is preparing to desert his perfect family, his wife Elena and three lively children. His intolerable situation is further complicated when Humphrey casts Hilary as one of the leads in 'The Hit Man'. Enter Robin Grange, a charismatic young Hollywood actor making his London theatre debut. Robin is attractive, charming and dangerous, and soon inveigles his way into everyone's life. He ingratiates himself with the cast and, quickly grasping Felix's dilemma, sets about weaving his web of mischief. He suggests that if he were to seduce Elena, she would be distracted from Felix's affair, regain her self respect, and perhaps even willingly part from the unfaithful husband to whom she clings...

Smart and lonely high school senior Ben secretly lusts after bad boy classmate Johnny. After play practice one night for the senior production of “A Streetcar Named Desire,” “light-boy” Ben gives Johnny, the play’s Stanley, a ride home to help him with his lines.

Three children living in a displacement camp in northern Uganda compete in their country's national music and dance festival.

A look at the entire process of creating and developing Patrice Chéreau’s third staging of "In the Solitude of Cotton Fields" by Bernard Marie Koltès with Pascal Greggory and Chéreau himself. From the first reading around the table through the first contact with the performance space, rehearsals and lighting to opening night, the entire creative process unfurls in front of our eyes. The film shows us the evolving and ongoing dialogue between Greggory and Chéreau, a dialogue full of crises and magical moments of harmony and insight via which the truth, intensity, complexity, mystery and depth of Koltès’ text gradually emerge to form an implicit bond between these two men. The film also shows Chéreau directing rehearsals for Mozart’s "Don Giovanni" in Salzburg, revealing both the unity of and profound differences between his opera and theater work.

An actor on the skids is given one more chance to regain his stardom, as well as his self-respect, yet his alcoholism may prevent that from happening.