Braverman's Condensed Cream of the Beatles

A fly-on-the-wall display of lives changing and time passing told through an unanswered question.

An accurate depiction of the basic tenets of northern Mahayana Buddhism, cast into living or "experiential" form, consistent with powerful mantras heard on the soundtrack of the film. Tarthang Tulku, a Tibetan Lama, was the advisor.

A five-channel video installation commissioned for the permanent exhibition space at the Australian Centre of the Moving Image (ACMI). “The camera doesn’t just capture us, it frames who we are and how we’re seen. Since the camera became more accessible in the mid-20th century, artists and amateurs alike have turned the lens on themselves to create a stage both private and public. This tradition is continued, amplified and transformed through reality TV, the internet and social media, the latest forms to use straight-to-camera techniques to share our common humanity, project authenticity and illuminate how a sense of self can be constructed through the moving image.”

A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.

Featuring interviews with former employees, fellow musicians, family members and journalists, and supported by original and exclusive never-seen-before footage, this star-studded rockumentary offers a fascinating insight into the creation and recording of one of the most ground-breaking and influential albums in pop history.

A conversation between Ringo Starr and The Eurythmics's Dave Stewart. Ringo talks about the early days and how he came into the band without an audition. Then the discussion turns to Beatlemania, and then Ringo plays Beatles songs on the drum kit. Another segment is when Stewart pulls out a box of LP albums and plays a flash card game with Ringo, asking him for improvisational comments on the records.

The history of American popular music runs parallel with the history of a Russian Jewish immigrant family, with each male descendant possessing different musical abilities.

Why wouldn't you? Is there any reason not to? We've got so much at our disposal, so, why don't you? Won't you tell me? Won't you please tell me? To have you down is simply unacceptable. Just look at this; or this; at all these hallmarks to guide you and convey to you the prime ways to feel lovely. Just follow them and you'll be set. So, I ask you again... Don't you feel lovely today?

In Deconstructing The Beatles’ Revolver, composer/producer Scott Freiman takes Beatles fans young and old into the studio with The Beatles as they create their seminal 1966 album, Revolver.

A documentary chronicling the Beatles' rehearsal sessions in January 1969 for their proposed "back to basics" album, "Get Back," later re-envisioned and released as "Let It Be."

Behind-the-scenes footage, rare screen tests and insightful interviews highlight this engrossing two-hour look at one of Hollywood's greatest dream factories. Such film luminaries as Tom Hanks, William Friedkin, George Lucas, Oliver Stone and Robert Altman discuss their work at the studio. Clips include scenes from Butch Cassidy and the Sundance Kid, Patton, Young Frankenstein, Star Wars, Alien, Big, Home Alone, Die Hard and dozens more.

Abbey Road is a masterpiece filled with such classic Beatles songs as “Come Together,” “Something,” and “Here Comes the Sun.” Deconstructing the Beatles’ Abbey Road: Side Two takes a track-by-track journey into their inspiration and evolution in the studio with the man who’s been presenting his beloved, exhilarating multimedia deep dives into the band’s work here for years. Because of the depth of the Abbey Road songwriting, he created two separate presentations for this album.

A small town band makes it big, but loses track of their roots, as they get caught up into the big-time machinations of the music biz. Now, they must thwart a plot to destroy their home town. Built around the music of The Beatles, this musical uses some big name groups like Peter Frampton and Aerosmith.

Get to know the mastermind behind The Beatles’ worldwide domination, from an unknown Liverpool band to uncontested modern musical icons.

A more experimental aproach to labor protection films. In the line of Săucan's style, the soundtrack is as important as the image, the threatening music, full of shrillness, composed by Ion Dumitrescu potentiating the visual construction that mixes - in a montage reminiscent of the Soviet avant-garde school of the 1920s - all kinds of shooting techniques and frame combinations.

For this behemoth, Bressane took his opera omnia and edited it in an order that first adheres to historical chronology but soon starts to move backwards and forward. The various pasts – the 60s, the 80s, the 2000s – comment on each other in a way that sheds light on Bressane’s themes and obsessions, which become increasingly apparent and finally, a whole idea of cinema reveals itself to the curious and patient viewer. Will Bressane, from now on, rework The Long Voyage of the Yellow Bus when he makes another film? Is this his latest beginning? Why not, for the eternally young master maverick seems to embark on a maiden voyage with each and every new film!