Madaran's World

Two Christmas-themed stories: about the night of Christ's birth, and about a good deed that is remembered many decades later. Adapted from texts by Sasha Chyornyy and Archpriest Dimitriy Gavrilovich Bulgakovskiy.

Mike and Sulley are back at Monsters University for a fun-filled weekend with their Oozma Kappa fraternity brothers. The gang is throwing their first party, but no one’s showing up. Luckily for them, Mike and Sulley have come up with a plan to make sure “Party Central” is the most epic party the school has ever seen.

A rare spoof. With the success of the 1925 film, The Lost World, it is common that when something is popular and successful, it is bound to be a subject for parodies and cash-in attempts. One of them was The Lost Whirl. This film featured stop-motion animation by Joseph L. Roop, who worked on the original classic, The Lost World.

In a lush and lively forest lives a hedgehog. He is at once admired, respected and envied by the other animals. However, Hedgehog’s unwavering devotion to his home annoys and mystifies a quartet of insatiable beasts: a cunning fox, an angry wolf, a gluttonous bear and a muddy boar. Together, the haughty brutes march off towards Hedgehog’s home to see just what is so precious about this “castle, shiny and huge.” What they find amazes them and sparks a tense and prickly standoff.

Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno trousers created by Wallace. However, Gromit later learns that the penguin is a wanted criminal.

Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.

Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese.

A story about fear, faith, and what to do when faced with the unknown.

Kyoto, a thousand years ago. Tokimasa, who unexpectedly visits the house of a woman he abandoned long ago, witnesses the woman's corpse, which remains uncorrupted, and an eerie light lingering in the air. Fearing the curse of the woman who died harboring resentment towards him, Tokimasa seeks out the Onmyoji (exorcist) Kamo no Tadayuki... This is a ghost story anime depicting a beautiful tragic love story of the Heian period, based on a story from the Konjaku Monogatari (Tales of Times Now Past).

The classic tale of a loveable, outcast hunchback and the gypsy girl he adores is transformed into a musical, warmhearted animated classic in this delightfully updated version of a stirring masterpiece.

The travelogue is mobilised again by animator Lesley Keen in Burrellesque, commissioned for Glasgow’s European Capital of Culture 1990 programme. Drifting through Glasgow’s Pollok Park towards the Burrell Collection as seasons shift, Keen’s 35mm film convenes with the spiritual life of the artefacts held therein. These objects break out as kaleidoscopic visions, ripped from their place of origin; escapees pointing to Scotland’s own history of cultural extraction.

Those who do not know the Sahara think there is only sand in the desert. But in the desert there are children who play and draw and make movies, and who would like to not have to think about the war. In the desert there's a European colony, an occupied country called Western Sahara, where there are thousands of Sahrawi refugees living a hard life in exile. "Little Sahara" tells their story, the story of a supportive, resilient people who try to thrive and grow in the Hamada, where everything has a hard time growing.

A young poet falling in love. A city that awaits a drama to unfold. A time of sadness and conformity, a time of decisions. There is light, there is hope, there is poetry behind the dark clouds of our world.

Felix is looking for a friend and discovers the 'Fulgidusen', the little lights of the forest. But the village of the Fulgiduses and thus also the secret of the forest are in great danger ...

Set during the Meiji reformation era in a small village in Kyushu, Japan. The story revolves around a young boy named Izana and a blind woman named Takiri, the two encounter the large monster Nebula who since ancient times was feared as the god of lake Amenosagiri. Theme of the film focuses on the Japanese concept of light and darkness, as told by puppetry and model miniaturization of the films’ world with practical special effects by Keizo Murase.

Rare, medium rare, medium, medium well and well done. Through intimate and personal stories, five women share their experiences in relation to the body, from childhood to old age.