The White Squaw

As the railroad builders advance unstoppably through the Arizona desert on their way to the sea, Jill arrives in the small town of Flagstone with the intention of starting a new life.

As the west rapidly becomes civilized, a pair of outlaws in 1890s Wyoming find themselves pursued by a posse and decide to flee to South America in hopes of evading the law.

While filing for a divorce, beautiful ex-stripper Roslyn Taber ends up meeting aging cowboy-turned-gambler Gay Langland and former World War II aviator Guido Racanelli. The two men instantly become infatuated with Roslyn and, on a whim, the three decide to move into Guido's half-finished desert home together. When grizzled ex-rodeo rider Perce Howland arrives, the unlikely foursome strike up a business capturing wild horses.

Retired wealthy sea captain Jim McKay arrives in the Old West, where he becomes embroiled in a feud between his future father-in-law, Major Terrill, and the rough and lawless Hannasseys over a valuable patch of land.

Hud Bannon is a ruthless young man who tarnishes everything and everyone he touches. Hud represents the perfect embodiment of alienated youth, out for kicks with no regard for the consequences. There is bitter conflict between the callous Hud and his stern and highly principled father, Homer. Hud's nephew Lon admires Hud's cheating ways, though he soon becomes too aware of Hud's reckless amorality to bear him anymore. In the world of the takers and the taken, Hud is a winner. He's a cheat, but, he explains, "I always say the law was meant to be interpreted in a lenient manner."

Don Diego Vega pretends to be an indolent fop as a cover for his true identity, the masked avenger Zorro. Preserved by the Academy Film Archive in 2012.

A cowboy helps a pretty young woman find lost gold. Restored by the Academy Film Archive with additional funding from the National Endowment for the Arts.

Farmer Frank and his ward hunt brother Jesse's killers, the back-shooting Fords.

When Edward Creighton leads the construction of the Western Union to unite East with West, he hires a Western reformed outlaw and a tenderfoot Eastern surveyor. Preserved by the Academy Film Archive in partnership with Twentieth Century Fox Film Corporation in 2000.

Army Sergeant Mickey Dunn sets out in pursuit of the Cisco Kid, a notorious if kind-hearted and charismatic bandit of the Old West. The Kid spends much of his loot on Tonia, the woman he loves, not realizing that she is being unfaithful to him in his absence. Soon, with her oblivious paramour off plying his trade, Tonia falls in with Dunn, drawn by the allure of a substantial reward for the Kid's capture -- dead or alive. Together, they concoct a plan to ambush and do away with the Cisco Kid once and for all.

A young Navajo Indian boy is caught up in the conflict of cultures when he rejects the white man's school. Told in semi-documentary style. Preserved by the Academy Film Archive in 2012.

In this Western, the sergeant takes his commander’s daughter on a horseback ride along the Merced River (which actually might be Oregon's Clackamas River). When their horses are stolen by a renegade, they are forced to travel back to headquarters by foot and lose the trail. In the first clip, mounted troops search for the lost couple. The two are found the next day and the sergeant is disgraced. However, the sergeant proves his mettle when he escapes during an Indian attack and leads reinforcements to the rescue. Preserved by the Academy Film Archive in partnership with National Film Preservation Foundation New Zealand Project in 2012.

Forced to run from Texas Rangers after a heated misunderstanding leads to the death of a lawman, Mexican American farmer Gregorio Cortez sets off in desperate flight, evading a massive manhunt on horseback for days.

Mr. Wilson hires Mantan to travel out West and clean out an old property. Mantan runs into trouble in believing the house is haunted while a gang uses it as a hideout. A race film Western produced by the Toddy Company; made for $500 over two days. Restoration by the Academy Film Archive and Blackhawk Films with funding from the estate of David Shepard from the only surviving 35mm nitrate print donated by Giancarlo Esposito and Laurence Fishburne.

A documentary about four African-American comediennes set in 1984. Restored in 2021 by the Academy Film Archive. 

An aging, decadent landlord’s passion for music becomes the undoing of his legacy as he sacrifices his wealth in order to compete with the opulent music room of his younger, richer neighbour.