La parte por el todo

Lissette's favorite aunt Adriana, who lives in Australia, is arrested in 2007 while visiting her family in Chile and accused of having worked for dictator Pinochet's notorious secret police, the DINA, and of having participated in the commission of state crimes. When Adriana denies these accusations, Lissette begins to investigate her story in order to film a documentary about her.

Tell them I exist paints the portraits of Naâma Asfari, a Sahrawi jurist and pro-independence activist sentenced to 30 years detention in Morocco; and of his wife, Claude Mangin, who from prison visits to diplomatic meetings, from filing complaints for torture to shows of support, continues to mobilize and raise awareness of the situation in Western Sahara, and of the fate of her husband, in the hope of his release or at least a new and fair trial.

Featuring excerpts from diaries and letters written by local residents and soldiers from both sides, the documentary tells the story of the Battle of Stalingrad through the voices of those who lived it.

In America women can go to jail for their husbands’ crimes, men are allowed to marry ten-year-olds, and abortions in some states are illegal, even in cases of rape. Documentary filmmaker Brice Lambert journeys through the American South and meets women who are at the receiving end of the attack on women’s rights since Donald Trump’s return to power.

In the aftermath of a tragic fire in a Romanian club, burn victims begin dying in hospitals from wounds that were not life threatening. A team of investigative journalists move into action uncovering the mass corruption of the health system and of the state institutions. Collective follows journalists, whistle blowers, and authorities alike. An immersive and uncompromising look into a dysfunctional system, exposing corruption, propaganda, and manipulation that nowadays affect not only Romania, but societies around the world.

Jesus 'Chuy' Aceves and a dozen living members of his extended family suffer from the very rare condition of congenital hypertrichosis, meaning they were born with excessive hair on their faces and bodies. Due to their appearance, they suffer from discrimination in all areas of their lives: the children are made fun of at school and abandoned by their 'non-hairy' parents, and the adults cannot find work unless they choose to exhibit themselves as freaks in circuses. This moving and visually arresting documentary is a portrait of Chuy and his family members. It examines their day-to-day lives and their struggle to find love, acceptance and employment.

Filled with raunchy laughs, this documentary compiles outrageous scenes from sex-comedies that shaped Brazil's "pornochanchada" boom of the 1970s.

Buenos Aires, Argentina, 1983. In the last and turbulent days of the military dictatorship, Alicia, a high school history teacher, begins to ask uncomfortable questions about the dark origins of Gaby, her adopted daughter.

Deep beneath the surface in the Syrian province of Ghouta, a group of female doctors have established an underground field hospital. Under the supervision of paediatrician Dr. Amani and her staff of doctors and nurses, hope is restored for some of the thousands of children and civilian victims of the ruthless Syrian civil war.

A film about the Tibetan Freedom Concert in San Francisco in 1996.

No description available.

Through first person narration, Tari reveals personal stories related to her decision to work in Taiwan, her strained family relationships, the risks involved in working abroad and the traps she has fallen into.

Documentary about the Lyon sex workers who occupied the church of St. Nizier on June 3, 1975.

Four stories set between the 60s and the 70s in Italy. Four personal female adventures crossing the path of Italian history, the struggle for women rights, the liberation of the body, in a country without memory.

During the 1980s civil war in El Salvador, a rebel group of leftist guerrillas fight to expose its government's death squads via an underground radio network and hope to end their government's reign of terror with the help of an American journalist.

Amid the civil-military dictatorship implanted with the 1964 coup, Sergio Muniz had the idea of making a documentary about the action of the Death Squad. At the time, the press still had some freedom to disseminate the work of these death squads formed by police officers of various ranks, and that he acted on the outskirts of cities like Sao Paulo and Rio de Janeiro. The victims of police repression (as today) were men, poor and black, and this condition is supposed criminals.