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S1NGULAR is a retro-psycho thriller about our sometimes narcissistic / sometimes solipsistic relationship to technology, ourselves and how we can evolve with it or succumb to its overreaching power.

No description available.

It is the year 2027 and the world has suffered an unspecified socio-economic catastrophe. The aftermath is so severe that even major cities are reduced to apocalyptic wastelands where food water and shelter are scarce. A scavenger named Gilles along with his teenage son try to find their way amongst the desolate remnants of Paris. All the while they must avoid capture outside the strict, daily curfew enforced by the masked agents of a shadow government and their ferocious dogs.

Malik discovers he is trapped in his mind and has to find a way out .

Swell is a smartphone app that changes your mood through sound. When a young couple tries to control each other’s settings, they find their relationship threatened by an unintended cacophony of emotions.

Experimental filmmaker, Jack has developed a revolutionary type of film, which induces a euphoric state in the viewer. Needless to say, this rapidly becomes an underground phenomenon in Taipei. The label of these mind-altering screenings? Made In Taiwan... With the help of Amy Lin, organised screenings pop up around the city and crowds of eager MIT fans flood in to see his latest creations. As his films become more popular, Jack fights obsessively to keep complete control of his work. However, he also comes to realise that his films have long-lasting effects on the mind. With his own constant exposure to the films, Jack begins to slip into a dark, dream world of his own creation from which he may never return.

Minyoung is a shy high school girl suffering from depression and bulimia. She is mercilessly bullied by her classmates, especially the sadistic Taeyong and his posse. One day, she is rescued by a sympathetic classmate who introduces her to transhumanism, a process where electrical shocks to the brain cause a person to "wake up to reality" through electrical baptism. Now, fully empowered, she plans revenge for the boys that have brutally bullied her. But when Taeyong turns up murdered, Minyoung must travel back in time using the Tesla coil to reveal the killer... even if the killer might be herself.

The Masseuse is a science fiction love story set in a futuristic Kuala Lumpur between a humanoid masseuse and her technician who has a disturbing past.

Tegan falls once more under the influence of the Mara and directs the TARDIS to the planet Manussa. There, the Federator's son Lon and his mother Tanha are preparing for a ceremony to celebrate the banishment of the Mara five hundred years earlier. The Mara takes control of Lon and uses him and Tegan to obtain from Ambril, the Director of Historical Research, the 'Great Crystal' - the large blue stone that originally brought it into being by focusing energy from the minds of the planet's one-time inhabitants. The Mara now plans to use the crystal during the ceremony to bring about its return to corporeal existence.

An Edwardian yacht in deep space races around the planets. There is a double agent in the TARDIS crew. The White Guardian warns the Fifth Doctor of great danger. Turlough must finally choose sides and at the end of the race lies the prize of Enlightenment.

Simon Watterman, a space archaeologist, discovers the "Munchies" in a cave in Peru. Cecil Watterman, Simon's evil twin brother and snack food entrepreneur, kidnaps the creature. What Cecil does not know is that the creature, when chopped up, regenerates into many new creatures and are they mean!

The Doctor needs somewhere peaceful to recover from his traumatic regeneration. But the sanctuary of Castrovalva is not all it seems, as the Master will stop at nothing to gain his revenge over the Doctor...

Flash Gordon, Dale Arden and Dr. Hans Zarkov travel to the planet Mongo to fight the evil emperor Ming the Merciless.

It is the year 2060 and AIDS has been eradicated. However, in some, the HIV virus has now mutated into a gene from which a drug can be produced that has become the white powder of the twenty-first century. With a virtually supported scanning system, secret police are trying to identify anyone who carries this gene. Filmed in Berlin, Taiwan-born multimedia artist and filmmaker Shu Lea Cheang’s science fiction dystopia revolves around a struggle to gain control over the production and exploitation of bodily fluids. Her film is like an orgiastic opera; a breathless round of bodies, secretions, performances and sexual acts often performed in the service of an overriding economy. An unusual, largely experimental and deliberately parapornographic drama in which the borders between the sexes as well as homo-, hetero-, bi-, trans- or intersexual are constantly blurred.

No description available.

Thirteen-year-old Mila Malinov wakes up alone in the back of a cab. Arriving at the densely packed apartment block of zone 21, she makes her way to her room as the watchful eye of the global government hovers above in the form of monitor drones. Across the courtyard, another set of eyes watches her, a protective Mother. Her room is small, cubed, and very simplistic. In her ear, a voice keeps her company. Her father, Darko Malinov checks in. He speaks to her through an earpiece making sure she’s okay. The next day, Mila visits the local bartering station that’s at the end of the long alley that hugs her apartment block. Currency in this world has resorted back to bartering, swapping items for other items. Mila finds a group of interested buyers and swaps a capacitor for some food, all while her father guides her. That night, she shares a meal with her father via voice, wishing that he was there instead. As Mila sleeps, a figure sneaks up to her door making Mila nervous.