The Year of the Dragon

A 2010 broadcast of Hamlet returns to cinemas as part of the NT's 50th anniversary celebrations. Following his celebrated performances at the National Theatre in Burnt by the Sun, The Revenger's Tragedy, Philistines and The Man of Mode, Rory Kinnear plays Hamlet in a dynamic new production of Shakespeare’s complex and profound play about the human condition, directed by Nicholas Hytner. He is joined by Clare Higgins (Gertrude), Patrick Malahide (Claudius), David Calder (Polonius), James Laurenson (Ghost/Player King) and Ruth Negga (Ophelia).

The stage play is an alternate retelling of the end of the Yorknew City arc, where Kurapika captures Chrollo and forces the Phantom Troupe to exchange their hostages of Gon and Killua for their leader. This play also features flashbacks of before the Phantom Troupe first came to be. Unlike the first two stage plays, this is not a musical.

Fleabag may seem oversexed, emotionally unfiltered and self-obsessed, but that's just the tip of the iceberg. With family and friendships under strain and a guinea pig café struggling to keep afloat, Fleabag suddenly finds herself with nothing to lose.

National Theatre Live’s 2010 broadcast of Alan Bennett’s acclaimed play The Habit of Art, with Richard Griffiths, Alex Jennings, and Frances de la Tour, returns to cinemas as part of the National Theatre's 50th anniversary celebrations. Benjamin Britten, sailing uncomfortably close to the wind with his new opera, Death in Venice, seeks advice from his former collaborator and friend, W H Auden. During this imagined meeting, their first for 25 years, they are observed and interrupted by, amongst others, their future biographer and a young man from the local bus station. Alan Bennett’s play is as much about the theatre as it is about poetry or music. It looks at the unsettling desires of two difficult men, and at the ethics of biography. It reflects on growing old, on creativity and inspiration, and on persisting when all passion’s spent: ultimately, on the habit of art. One of the first five episodes also released on terrestrial TV on a 2009 BBC TV series titled "National Theatre Live".

Siegfeld Institute of Music Junior High. An educational institution established for the purpose of training Rohedelstein, the future candidates for the roles of Edels. Two transfer students from Germany are due to enrol in the Junior High. One is Stella Takachiho, whose heritage is descended from Siegfeld's own prestigious family. The other is Shiro Ogami, Stella's exclusive maid. With the pair's transfer comes a drastic change in the fates of fellow Junior High students Ryoko Kobato, Minku Umibe, and Kuina Moriyasu. Liu Mei Fan works hard to meet the expectations of Akira Yukishiro and Michiru Otori, who are searching for a stage girl to carry Siegfeld on their backs. The ones who must entrust it, and the ones who must be entrusted with it—the symbol of the noble king, "Regalia", will end up...

In this worldwide bestseller, we watch four men over a period of more than thirty years: lawyer Jude, actor Willem, visual artist JB and architect Malcolm. The story is the history of their friendship, as they remain closely connected with each other during the rest of their lives. They develop their careers in the city where ambition and success are the indicators of a successful life: New York. Ivo van Hove adapts Hanya Yanagihara’s novel to theater and creates a penetrating performance.

Based on Anton Chekhov's short story, "About Love". Starring John Gielgud as Chekhov.

What if Konstantin Gavrilovich, from Anton Chekkov's famous play, did not commit suicide and was murdered instead? And who did it? Boris Akunin's take on The Seagull unfolds as a comedic murder mystery.

A graduate student interviews the retired General and President Dwight D. Eisenhower at his Gettysburg farm, sometimes confronting him about his inaction on Civil Rights and McCarthyism.

Weller Martin and Fonsia Dorsey, two elderly residents at a nursing home for senior citizens, strike up an acquaintance. Neither seems to have any other friends, and they start to enjoy each other's company. Weller offers to teach Fonsia how to play gin rummy, and they begin playing a series of games that Fonsia always wins. Weller's inability to win a single hand becomes increasingly frustrating to him, while Fonsia becomes increasingly confident. While playing their games of gin, they engage in lengthy conversations about their families and their lives in the outside world. Gradually, each conversation becomes a battle, much like the ongoing gin games, as each player tries to expose the other's weaknesses, to belittle the other's life, and to humiliate the other thoroughly.

A seasoned actor and a pop star are cast as leads in a gay romantic play. As the actor teaches the pop star method acting, the line between fiction and reality is blurred and they become drawn to each other.

After the events of Revue Starlight ―The LIVE― #1 revival, Seiran General Arts Institute challenges Seisho Music Academy to a revue with the right to perform the play "Starlight" at stakes. Who will win this Cultural Exchange Program?

Starring Tony Award-nominee Marin Ireland, this chilling one-woman show was filmed live at Roundabout Theatre Company’s “Roundabout Underground” black box. When a random act of gun violence tears one woman’s world apart, she finds herself caught in the crosshairs of power lost and, very possibly, regained. Ben Brantley at the New York Times called On the Exhale "Startlingly original! Brave and bold!"

In the unstable aftermath of a civil war, Creon, the new King of Thebes, asserts his authority by forbidding anyone from honouring the death of the traitor Polyneices. But Antigone, Polyneices' sister, will not obey. When Creon's authority is challenged, a gripping conflict emerges between the power of an individual and the state. Polly Findlay's electric 2012 production brings Sophocles' tragedy into the modern world as a gripping political thriller.

As the world faces its Second World War, John Halder, a good, intelligent German professor, finds himself pulled into a movement with unthinkable consequences.

45 year old Don Valter is a traditional priest who still wears an old fashioned black tunic out of nostalgia. One day young Claudio and his exuberant troupe of actors appear, proposing to perform an avant-garde show based on the Gospel's miracle of the rebirth of Lazarus*. The powerless priest is overwhelmed by this young upstart, who stirs within him emotions that will, whether he likes it or not, pull him into the modern era.