This Must Be the Place

After a twenty-year stay at an asylum for a double murder, a mother returns to her estranged daughter where suspicions arise about her behavior.

Enric Marco, a Spanish trade unionist, claims to be a survivor of Nazi concentration camps.

Spanning twenty-four hours, HEIGHTS follows five New Yorkers challenged to choose their destiny before the sun comes up the next day.

27-year-old Hatsumi Takimoto is a former teacher and now waitress. She holds a secret. Three years after her boyfriend died, she receives a letter from him. After meeting a former student, Hatsumi Takimoto confesses about her past.

Bennie, a clumsy criminal who's touchy about his weight, teams up with his adoptive father's biological (serial killer) son, his employees who in his absence turned his snack-bar into a quiche bakery, a suicidal manic-depressive woman and a Yugoslavian who keeps blowing things up unintended. They need to get 300000 Euro to get Bennies father a new liver.

A daughter struggles to speak with her father about her grandmother, revealing the quiet distances — and shared inheritances — that shape three generations of family.

Moody, atmospheric ghost story starring Mason as a retired tradesman who purchases an old mansion that has been vacant for 40 years because it is believed to be haunted by the spirit of a young woman who had died there. Unaware of the mansion's reputation, Mason and his wife Mullen move in and hire a young woman, Lockwood, to keep house. Soon after Lockwood's arrival, strange things begin to happen in the household, and it becomes apparent that she is possessed by the spirit of the dead girl, though Mason scoffs at the idea. On death's door and bedridden, Lockwood asks for the same doctor who treated the woman who died 40 years ago. He arrives and treats her. The next morning Lockwood is cured, and it is revealed by the police that the doctor's dead body was found in his carriage hours before the time Mason claims he arrived to see Lockwood. Convinced that not only the ghost of the girl but that of the doctor as well entered his home, Mason finally believes in the supernatural.

15-year-old Beni falls in love with Fögi, a singer in a Rock band. As Fögi seduces him, he is only willing to follow him where ever Fögi wants to. But Fögi is a drug addict and pulls Beni deeper and deeper into the hell of drug addiction.

After a lavish dinner party, the guests find themselves unable to depart... and, over the next few days, all of their elaborate societal pretenses and façades deteriorate as they are reduced to living like animals.

A successful advertising executive finds his freewheeling life crashing to a halt when his parents end their longtime marriage.

Overburdened and stuck in a greying marriage, Giovanna takes to caring for a Jewish Holocaust survivor her husband brings home. As she begins to reflect on her life, she turns to the man who lives across from her.

A young refugee travels from Russia to America in search of her lost father and falls in love with a gypsy horseman.

How to overcome true love? Jose considers David the man of his life, but when he suddenly breaks up with him after 8 years together, Jose is haunted by memories of their past relationship, which bring home to him that their life together wasn't as ideal as he once thought.

In an alternate reality where the decline of nations has given rise to corporatist regimes, any trace of culture or tradition is suppressed by these new leaders to prevent the masses from reclaiming a national identity. However, rebel cells have emerged to counteract this agenda.

In the 1820s, a frontiersman, Hugh Glass, sets out on a path of vengeance against those who left him for dead after a bear mauling.

A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of inter­generational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.