Come What May

In November 1936, a few months since the beginning of the Spanish Civil War, the government of the Second Republic moves to Valencia. In this situation, several Valencian artists and intellectuals decide to build four fallas — satirical plasterboard sculptures created to be burnt — to mock fascism.

The testimonies of the Mashteuiatsh Puakuteu women's committee punctuate this intimate short film about mourning and healing. Throughout the doll-making workshops, the women share their doubts and hopes and build a space filled with strength and solidarity.

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This short film is both a calm and upsetting portrait of an aging author's sorrow over the death of his long-term partner. Haunted by visions of his late husband, and in conflict with his daughter who is trying to renew the ties between them, he must tackle the impossible task of moving on and finding peace in the wake of a devastating loss.

Follows the plight of real-life dancers as they struggle through auditions for the Broadway revival of A Chorus Line and also investigates the history of the show and the creative minds behind the original and current incarnations.

A "remake" of No Time for Nuts (2006)

Short film narrating the luxuries of Madeira.

Interviews in a big Parisian hotel with actresses who had their hour of glory. These former movie stars each describe the character who made them famous and tell what they became.

Documentary about Giger's work for the movie Alien (1979).

Documentary images from a market in Falkenberg.

Documentary short film depicting the filmmaking activity at the Paramount Studios in Hollywood, featuring dozens of stars captured candidly and at work.

Winnie the Pooh and friends decide to throw a birthday celebration for gloomy, old Eeyore.

The National Iranian Oil Company (NIOC), formed upon nationalization of the British Anglo-Iranian Oil Company, employed film systematically, producing many films on oil and petrochemical subjects. It also made films depicting Iran's progress and modernization, highlighting the role of the Shah and NIOC in that direction. Under its auspices, Ebrahim Golestan directed A FIRE (1961), a highly visual treatment of a seventy-day oil well fire in the Khuzestan region of southwestern Iran. This film was edited by the Iranian poet Forough Farrokhzad and won two awards at the Venice Film Festival in 1961.

What are they? What do they seek? When all the lights go out, they will wander. And you will never see them.

An 11-year-old kid growing up in "the hood" secretly dreams of trick-or-treating as Wonder Woman for Halloween.

A documentary film on the making of 'Close Encounters of the Third Kind'