Prospero's Books

A collection of deleted scenes from David Lynch's 2006 surrealist horror INLAND EMPIRE.

Cowboys Beauregard Decker and Virgil Blessing attend a rodeo in Phoenix, where Decker falls in love with beautiful cafe singer Cherie. He wants to take Cherie back to his native Montana and marry her, but she dreams of traveling to Hollywood and becoming famous. When she resists his advances, Decker forces Cherie onto the bus back to Montana with him, but, when the bus makes an unscheduled stop due to bad weather, the tables are turned.

Glen doesn't dare tell his fiancée Barbara that he is a transvestite; in addition, Alan is undergoing medical treatment to become a woman named Anne; both stories are told by a psychiatrist.

Traveling con artist Harold Hill targets the naïve residents of a small town in 1910s Iowa by posing as a boys' bandleader to raise money before he can skip town.

Sir Robert Chiltern is a successful government minister, well-off and with a loving wife. All this is threatened when Mrs Cheveley appears in London with damning evidence of a past misdeed. Sir Robert turns for help to his friend Lord Goring, an apparently idle philanderer and the despair of his father. Goring knows the lady of old, and, for him, takes the whole thing pretty seriously.

Two sisters embark on an epic quest for revenge, confronting a charged family history that pushes them to extraordinary lengths.

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Jon, a first-time filmmaker, finds himself in Lansing, Michigan to present his film at a local film festival. Vince, his high school friend who is now a volunteer fireman and small-time drug dealer, also visits the town to support Jon on his big day, or so it seems. After a raucous hello and much backslapping, it appears that there is an undercurrent of tension in the air.

A young Italian actress embarks on a self-destructive spree of sex, drugs and other excess while doing some soul searching to find the path for redemption.

A young woman, institutionalized by her abusive stepfather, retreats into a vivid fantasy world where she envisions a plan to escape. Gathering a group of fellow inmates, she embarks on a quest to collect five mystical items, blurring the lines between reality and imagination.

A headstrong young woman is married to land baron. Her feelings for her son's tutor becomes a complex web of unrequited love.

After the acclaimed Met premiere of Thomas Adès's "The Tempest" in 2012, the composer returned with another masterpiece, this time inspired by filmmaker Luis Buñuel's seminal surrealist classic "El Ángel Exterminador", during the 2017–18 season. As the opera opens, a group of elegant socialites gather for a lavish dinner party, but when it is time to leave for the night, no one is able to escape. Soon, their behavior becomes increasingly erratic and savage. The large ensemble cast tackles both the vocal and dramatic demands of Adès's opera with one riveting performance after another. Tom Cairns, who also penned the work's libretto, directs an engrossing and inventive production, using a towering wooden archway to trap the characters onstage. And Adès himself takes the podium to conduct the frenzied score, which features a host of unconventional instruments, including the eerie electronic ondes Martenot.

Dorothy Gale, a shy kindergarten teacher, is swept away to the magic land of Oz where she embarks on a quest to return home.

While out to avoid spending time with her narcissistic and promiscuous mother, sixteen-year-old Jo has a brief affair that leaves her pregnant and abandoned. When her mother remarries, Jo's only support becomes her friend Geoffrey, a homosexual.

Author Rudyard Kipling and his wife search for their 17-year-old son after he goes missing during WWI.

A psychic seemingly dies of fright during a séance where she sees a vision of a Dunwich priest hanging himself in a church cemetery. New York City reporter Peter Bell investigates and learns that the priest's suicide has somehow opened a portal to Hell that must be sealed by All Saints Day, or else the dead will overtake humanity.