The Chrysanthemum and the Guillotine

Four overweight friends from the Israeli city of Ramle are fed up of dieting and the dieting club they belong to. When Herzl (155 kilos), the main protagonist, loses his job as a cook and starts working as a dishwasher in a Japanese restaurant in Ramle he discovers the world of Sumo where large people such as himself are honored and appreciated. Through Kitano (60 kilos), the restaurant owner, a former Sumo coach in Japan (who is supposedly hiding from the Yakuza in Israel), he falls in love with a sport involving "two fatsos in diapers and girly hairdos". Herzl wants Kitano to be their coach but Kitano is reluctant - they first have to earn their spurs. "A MATTER OF SIZE" is a comedy about a ‘coming out’ of a different kind - overweight people learning to accept themselves.

David Carr is a British Communist who is unemployed. In 1936, when the Spanish Civil War begins, he decides to fight for the Republican side, a coalition of liberals, communists and anarchists, so he joins the POUM militia and witnesses firsthand the betrayal of the Spanish revolution by Stalin's followers and Moscow's orders.

After her mother runs away from home, Tomoko is raised to be a geisha. One day Tomoko meets her mother in a red-light district in Tokyo and her life deeply gets in trouble.

An unhappy young woman from an abusive family is married off to a fearsome and chilly army commander. But the two learn more about each other, love may have a chance.

Riding across Manhattan in a stretch limo during a riot in order to get a haircut, a self-made 28-year-old billionaire asset manager's life begins to crumble.

Soldier Ignaz Wolz returns from WWI with an immeasurable hatred of capitalist war profiteers. He decides to start his own revolution, but tries to stay away from the organized class struggle. He steals from the rich men and divides the wealth among the poor. One day, Wolz is arrested and sentenced to life in prison; seven years later he is released due to mass protests. More than ever, it is hard for him to fit in. He severs ties with his former companions, who reject his ideas, and leaves Germany.

This drama depicts the misery of neglected children in big cities. 13 years old Bruno is of a good family, but since the death of his grandmother he spends most of his time alone, in a phantasy world, while his mother is away at work. But then he befriends the violent Jean-Roger, who's from a severely disturbed family, where nobody cares what he's doing. In school Jean-Roger drives their teacher into despair just for fun. To separate the two boys, she starts to stimulate Bruno's interests by giving him extra lessons. When Jean-Roger fears loosing his one and only friend, he becomes even more aggressive.

In a chaotic 19th-century Paris teeming with aristocrats, thieves, psychics, and courtesans, theater mime Baptiste is in love with the mysterious actress Garance. But Garance, in turn, is loved by three other men: pretentious actor Frederick, conniving thief Lacenaire, and Count Edouard of Montray.

Nada, named after a gang of Spanish anarchists, is a small, confused band of French terrorists. They kidnap the American ambassador after one of his regular visits to an exclusive brothel. The gang starts to quarrel amongst themselves as to the diplomat's fate, while the police purge suspects in their attempts to destroy the Nada faction. As the violence escalates on both sides, the States and the terrorists are forced to use one another's methods in an increasingly desperate and relentless conflict.

After eloping with a prostitute named Otoyo, Hishakaku takes refuge in the Kogane family’s turf. Indebted to Boss Kogane for his kindness, Hishakaku swears to dedicate himself to protect the Koganes in time of crisis. Hishakaku’s humble life comes to a sudden halt when the Kogane family becomes involved in a fatal feud with their rival, and Hishakaku’s services are called upon.

Based on a popular play from 1947.

Winston Smith is a government employee whose job involves the rewriting of history in a manner that casts his fictional country's leaders in a charitable light. His trysts with Julia provide his only measure of enjoyment, but lawmakers frown on the relationship -- and in this closely monitored society, there is no escape from Big Brother.

Impelled by a spirit which still preserves a patina of idealism, Alfredo arrives to Madrid with the intention to create "a performance that is free, straight from the heart, capable of making people feel alive". His concept of what acting should be begins beyond the stage, out in the streets face to face with the public. Outdoors, in any town square, in a park or in the city's most commercial street, Alfredo and his troupe November start the show; demons to provoke passers-by, displays of social conscience, actions taken to the extreme to put the forces of law and order on full alert. There are no limits, no censorship; only ideas which are always valid so long as the public ceases to be the public and becomes part of the show swept by surprise, fear, tears or laughter. Theater as life, life as theater… there is no longer any difference.

A group of tenants facing eviction due to a city renovation unite to fight back, but as they clash with the landlord and his ruthless attorney, they each transform into the opposite of who they once were.

When Shiva finds an unconscious stranger on the beach, he unknowingly begins a journey that leads to Japan's sumo rings. With truth and loyalty, he helps his friend reclaim his identity and honor, showing that bonds of the heart can rise above borders and power.

The film centres around a group of schoolchildren navigating the complexities of friendship, trust, and honesty. At its heart is a thoughtful and suppressed boy with a learning disability whose interactions with his classmates oscillate between evoking tenderness and triggering aggression.