Mrs. Fang

It's war. War against an invisible enemy that is not as deadly as we are told. The world is changing rapidly. Disproportionate measures are taken worldwide that disrupt society as a whole. A dichotomy in society forced vaccinations and restrictions on freedom. Have we had the worst? Or is there something more disturbing to awaiting us.

Until now, they have stood on the sidelines. They have not appeared before the cameras. They have not taken part in public discussion. It is mainly to them that the documentary film by the well-known journalist Ewa Ewart was devoted. It shows the face of the Smolensk catastrophe through the eyes of the victims' families. April 10, 2010 went down in the memory of Poles as a day of national drama. But for the characters in the film, it was the day of their greatest personal drama. Along with the presidential couple, their loved ones passed away in shocking circumstances. For most, the time passing since the Smolensk catastrophe does not bring relief. Ewa Ewart and her film crew accompany the families at various stages of their struggle with difficult emotions. The film is in the process of being made and will include sequences and stills that have not been used anywhere before.

Every year, five to ten percent of all deceased Berliners are buried by the authorities because no relatives are found. Most of them are put into the ground by mortician Bernd Simon going alone. But sometimes companions do turn up and say goodbye in their very own way. An observational documentary about an undertaker who actually wanted to become an entertainer, a bizarre city portrait and a mirror of how we deal with death, mourning and commemoration.

Young Masters is an original series commissioned by NOWNESS China focusing on traditional Chinese cultures, and how they continue to be defined by a new generation of the country's youth. High above the clouds in a village in Mao County in Sichuan Prefecture, a post-90’s generation of young cultural guardians work to uphold the values and traditions of ancient Qiang culture. These cultural guardians, known as a ‘Shibi’, remain especially vital for a culture whose knowledge and language exist merely through practice and in sound, and without script. The role of a Shibi involves that of a priest, alongside folk rap, singing, and dance performances, amongst others. As a result, Qiang people have endowed them with a sacred status, believing that they possess a psychic power.

Xu Xin’s film “Dao Lu” (China 2012) offers an exclusive “in camera” encounter with Zheng Yan, an 83 year-old veteran of the Chinese Red Army, who calmly relates how he has navigated his country’s turbulent history over three-quarters of a century.Born to a wealthy family in a foreign concession, Yan joined the Chinese Communist Party (CCP) in 1941 because he sincerely believed in the socialist project, and in its immediate capacity to free China from the Japanese yoke and eradicate deep-rooted corruption.

Filmed inside Pharmacy No. 3 in Shanghai, Joris Ivens and Marceline Loridan-Ivens document the daily work of a state pharmacy that functions as both a dispensary and a neighborhood medical center. The film focuses on routine interactions between staff and patients, revealing an integrated model of urban healthcare in 1970s China.

Chinese teenagers from the wealthy elite, with big American dreams, settle into a boarding school in small-town Maine. As their fuzzy visions of the American dream slowly gain more clarity, their relationship to home takes on a poignant new aspect.

“Are you a man, or a woman?” In a world built on binaries, this is the question every trans soul must learn to answer—again and again. But imagine a future where bodies wither, yet minds ascend—consciousness can be uploaded to the cloud, and we could inhabit mechanised shells. In such a world, would gender still hold weight? Would it matter if you were man, woman, turtle or elephant?

During the Feria of Nîmes, a bullfight is filmed from the perspective of the animal, relegating the matador and public to off-screen spectators. A ritual at the frontiers of mysticism, carried by the sacrificial figure of the bull, revealer of our humanity.

In a mountainous region of Sichuan, best known for pandas and earthquakes, there are no roads, no cars, no buses. But there is … a train. This documentary tells the story of the last working narrow gauge steam railway in China.

A big hearted community celebrates life by fronting up to death. Set against the stunning backdrop of the industrial seaside town of Port Kembla, a feisty and resilient community group have determined to take back the responsibility that most of us leave to someone else — to care for their own dead. Scattered throughout are stories that cut to the core revealing why this small band have decided to take on a practice that for most is taboo. As their plans for community-based funerals gather momentum one of their own is diagnosed with a life-threatening illness. Tender is at once a heartbreakingly beautiful and beautifully funny glimpse of an extraordinary community taking on one of the most essential challenges of human life … its end.

The film examines the death of the anarchist Giuseppe Pinelli, who fell from the fourth floor of the police headquarters in Milan December 15, 1969, after being stopped following the Piazza Fontana bombing.

Director Philip Haas and artist David Hockney invite you to join them on a magical journey through China via a marvelous 72-foot long 17th-century Chinese scroll entitled The Kangxi Emperor's Southern Inspection Tour (1691-1698), scroll seven . As Hockney unrolls the beautiful and minutely detailed work of art, he traces the Emperor Kangxi’s second tour of his southern empire in 1689.

What do we have to learn from dead things and the people who love them? For some, vulture culture offers a deeper connection to nature. For others, it is a way of confronting death and processing grief. For others, the ultimate form of artistry.

China's top drama academy stages the American musical "Fame," China's first official collaboration with Broadway, as the graduation showcase for its senior class. During the eight-month rehearsal, five students compete for roles, struggle with pressure from family and authority, and prepare to graduate into China's corrupt entertainment industry.

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