The Three Amateurs

During a trip to Denmark, a man is arrested and accused of murdering his wife and three children. Though maintaining his innocence, he remains jailed as police investigate.

Benjamin tells his ex-girlfriend, Angie, that he joined a cell of left-wing terrorists to get revenge on her former boss, who owns a right-wing radio station. His story blends conceptual artists, amateur theatre troupes, hallucinogenic vinyl record and other magical powers. All that nonsense leave Angie wondering if he made that up only to win her back.

Alex is a passionate musician. He travels from one gig to the next with his tango band. He can't make a living from his music, but he doesn't really care. This changes when he and his bandmates steal a rocker band's tour bus and there is an accident. Alex's friend Tommy dies and the tango band is finished. Suddenly Alex finds himself without an apartment, a pile of debts and with the grim rockers breathing down his neck. There's only one thing to do: go into hiding.

Coffee Masters is a documentary by Miguel Kohan, produced by Lita Stantic, Gustavo Santaolalla and Walter Salles. It tells the story of great tango of the old guard who, summoned by a rock musician, proposing a record to demonstrate its validity. This adventure, full of memories, humor and poignant moments, culminating with a presentation of the Masters at the Teatro Colon.

When a Tango dancer asks a Rabbi to enter a dance competition, there’s one big problem—due to his Orthodox beliefs, he’s not allowed to touch her! But the prize money would save his school from bankruptcy, so they develop a plan to enter the competition without sacrificing his faith, and the bonds of family and community are tested one dazzling dance step at a time in this lighthearted fable.

An all-girl band flees to Argentina to avoid their creditors. Comedy with songs.

A woman's voice says she was wife to Renzo Franchi and Carlos Gardel (1890-1935), Argentina's great tango singer. People say she's crazy. Her story unfolds. Buenos Aires, 1933: Juana Romero, a seamstress who lives for the music of Gardel, dumps her boyfriend Gustavo for Renzo, a singer who looks like Gardel. She insists that his trio performs Gardel's tangos, which leads to Renzo recording a Ford commercial when Gardel himself is overbooked. The trio, with Joanna in tow, goes on an ill-fated tour of points north. The couple breaks up: she goes home and he tries to get to New York. Fate steps in, and once again he's called upon to pose as Gardel. Then, legend and a bracelet take over. Written by

An endearing light comedy about a woman who spontaneously becomes a resident of Venice after her family left her behind. While enjoying the wonderful people she meets she achieves a new life and the first time independent of her family.

In 1931, a young soldier deserts from the army and falls into a country farm, where he is welcomed by the owner due to his political ideas. Manolo has four daughters, Fernando likes all of them and they like him, so he has to decide which one to love.

A broken heart makes Sergio reject the city......A city full of late adolescents, girls that make you cry, drunks worried about matters they couldn´t handle even sober...and songs that say all that they would have wanted to say (if they knew that they needed to say something)

Oscar and Peter land a career-making opportunity when a Chicago tycoon chooses them to compete for the design of a cultural center. The tycoon mistakenly believes that Oscar is gay and has him spy on his mistress Amy. Oscar goes along with it and ends up falling in love with Amy.

The investigation about an alleged international spy after the Nazi refugees in Argentina gives way to a plot that expands, becomes delirious and branches off. A mockumentary that has, at its center, an elusive woman whose trail can be traced in the most emphatic convulsions of the 20th century.

The night shift clerk at a sex hotel, suffering from narcolepsy, is faced with a night when things are unusually busy and housekeeping finds a gun in room 6.

In the late 1980s, journalist José de Zer seeks proof of alien life in Argentina — even if he has to fake evidence — causing a surreal media circus.

¡Tango! follows a formula established by Carlos Gardel with films such as Luces de Buenos Aires (The Lights of Buenos Aires, 1931) in which a melodramatic story is interspersed with tango songs. However, the film had less dialog and more music, making it more like a musical revue. This format would be copied by many subsequent films. The plot is derived from tango songs. Many of these songs tell of the seduction of an innocent slum girl by a rich man who promises her a glamorous life, but who abandons her when her looks fade. The stylized and sentimental plot of ¡Tango! revolves around a young man who is abandoned by his girlfriend for an older rich man and is heartbroken. The film follows his misfortunes.

Víctor Tellez is an intellectual, world-weary film critic who prefers to think in French and eschew the clichés of romantic movies...until he finds himself living a sappy, feel-good love story of his own.