The Black List: Volume Two

The free, almost naive view from the perspective of a child puts the "68ers" in a new, illuminating light in the anniversary year 2008. The film is a provocative reckoning with the ideological upbringing that seemed so progressive and yet was suffocated by the children's desire to finally grow up. With an ironic eye and a feuilletonistic style, author Richard David Precht and Cologne documentary film director André Schäfer trace a childhood in the West German provinces - and place the major events of those years in completely different, smaller and very private contexts.

A documentary chronicling the pioneering efforts of black filmmaker William D. Foster in the early years of the industry and Oscar Micheaux's controversial impact on the subsequent "race movies".

An American story. Traces the career of Joe Louis (1914-1981) within the context of American racial consciousness: his difficulty getting big fights early in his career, the pride of African-Americans in his prowess, the shift of White sentiment toward Louis as Hitler came to power, Louis's patriotism during World War II, and the hounding of Louis by the IRS for the following 15 years. In his last years, he's a casino greeter, a drug user, and the occasional object of scorn for young Turks like Muhammad Ali. Appreciative comment comes from boxing scholars, Louis's son Joe Jr., friends, and icons like Maya Angelou, Dick Gregory, and Bill Cosby.

RICHARD WRIGHT was an African-American author of novels, short stories and non-fiction that dealt with powerful themes and controversial topics. Much of his works concerned racial themes that helped redefine discussions of race relations in America in the mid-20th century. Born on a plantation in Mississippi, Wright was a descendent of the first slaves who arrived in Jamestown Massachusetts. This program follows his arduous path from sharecropper to literary giant. Through authors like H.L. Menken, Sinclair Lewis, Theodore Dreiser, he discovered that literature could be used as a catalyst for social change. In 1937 Wright moved to New York and his work began to garner national attention for it's political and social commentary. Much of Wright's writing focused on the African American community and experience; his novel Native Son won him a Guggenheim Fellowship and was adapted to the Broadway stage with Orson Welles directing in 1941.

The remarkable spirit of tap dancers and their history provides a joyous backdrop for intimate portraits of hoofers Sandman Sims, Chuck Green, and Bunny Briggs.

“The Walkout” is a new documentary that brings to light a pivotal but often overlooked moment in Texas history: the 1968 student walkout at Edgewood High School in San Antonio’s Westside. Fed up with underfunded classrooms, uncertified teachers, and crumbling facilities, a group of young Mexican American students and their families organized a bold protest that would become a catalyst for statewide education reform. Told through the voices of the original students, community leaders, and historians, The Walkout weaves together personal testimony, historical footage, and present-day reflections to honor the legacy of resistance born in San Antonio’s Westside. This film doesn’t just revisit the past; it also draws a direct line to today’s struggles over school funding and equity in Texas.

The 30-year legacy of the murder of black teenager Yusuf Hawkins by a group of young white men in Bensonhurst, Brooklyn, as his family and friends reflect on the tragedy and the subsequent fight for justice that inspired and divided New York City.

The real life story of the events surrounding the fight for and against public housing and racial integration in Yonkers, New York in the 1980s as portrayed in the HBO miniseries Show Me a Hero.

The Black middle class, torn between white goals and Black needs, are examined by producers William Greaves and William Branch in a 90-minute NET Journal documentary.

A documentary on the late American entertainer Dean Reed, who became a huge star in East Germany after settling there in 1973.

The Tet Offensive during the Vietnam War, the Civil Rights Movement, the May events in France, the assassinations of Martin Luther King and Robert F. Kennedy, the Prague Spring, the Chicago riots, the Mexico Summer Olympics, the presidential election of Richard Nixon, the Apollo 8 space mission, the hippies and the Yippies, Bullitt and the living dead. Once upon a time the year 1968.

It's 1974. Muhammad Ali is 32 and thought by many to be past his prime. George Foreman is ten years younger and the heavyweight champion of the world. Promoter Don King wants to make a name for himself and offers both fighters five million dollars apiece to fight one another, and when they accept, King has only to come up with the money. He finds a willing backer in Mobutu Sese Suko, the dictator of Zaire, and the "Rumble in the Jungle" is set, including a musical festival featuring some of America's top black performers, like James Brown and B.B. King.

As beautiful and sleek as it is deadly, 52 Blocks merits special conservation efforts as the United States' only existing native martial culture, as it is indeed, the jazz of the martial arts world. Across the African diaspora, there are manifestations of African-derived warrior-dances, capoeira in brazil, mani in Cuba, ladja in Martinique, pinge in Haiti- yet the US offshoot has remained esoteric, because it was suppressed throughout slavery, Reconstruction and Jim Crow and then obscured in the criminal justice system. The history, interviews and training of the martial arts style that created Breakdance and boxing greats like Mike Tyson.

Narrated by actress Alfre Woodard, this trenchant, eye-opening doc traces the radical civil rights leader’s life from his tumultuous childhood, through his rise in the ranks of the Nation of Islam, to his 1965 assassination.

Down the road from Woodstock in the early 1970s, a revolution blossomed in a ramshackle summer camp for disabled teenagers, transforming their young lives and igniting a landmark movement.

Exploring the fallout of MIT Media Lab researcher Joy Buolamwini's startling discovery that facial recognition does not see dark-skinned faces accurately, and her journey to push for the first-ever legislation in the U.S. to govern against bias in the algorithms that impact us all.