Art Through Our Eyes

A struggling family is attempting to deal with the consequences of a horrible catastrophe.

A rumor spreads through a small desert town that a girl has been raped. A respected veteran tries to stop the girl's cousin, a soldier in vacation, from taking the law into his own hands.

Fragile in Love is an experimental short that rebels against the suppression of electronic music culture and gay house parties.

No description available.

A young man with a bruised ego seeks closure from his ex-girlfriend in hopes of moving on with his life.

When a burglar unexpectedly runs into a homeowner during a theft, the robbery morphs into a makeshift therapy session, with the burglar helping the homeowner process his impending divorce - all while the homeowner helps to rob his own apartment.

This omnibus release consists of three playlets filmed and aired during television's Golden Age, and starring some of the legends of film and television. The collection originally ran as a two-hour segment on December 14, 1959, on the anthology series The Play of the Week, broadcast locally in New York City via the independent radio station WNTA. Each "tale" in the anthology was adapted from a single tale by the inimitable Sholom Aleichem, regarded by many as the "Yiddish Mark Twain". Included are: "A Tale of Chelm" starring Zero Mostel and Nancy Walker in the story of a bookseller attempting to buy a goat; "Bontche Schweig" about a poor man (Jack Gilford) whose recent arrival in Heaven makes the angels cry; and "The High School" about a Jewish merchant (Morris Carnovsky) persuaded by his wife (Gertrude Berg) to let their son attend a particular high school despite the enforcement of quotas for Jewish students.

A psychic suburban mother--with an affinity for Doris Day films--begins a spiritual journey beyond the confines of her neighborhood and failed nuclear family experience.

No description available.

Inspired by true events. Set & filmed during the Covid-19 pandemic as it is unfolding. 'Out of View' follows Kiera, a woman who unknowingly documents her escalating domestic abuse via video logs.

In a retirement home in a small town surrounded by mountains, the daily lives of the people who live there alternate. Them inside, the world outside. An imbalance that manifests itself in "Pucundrìa", an indefinable feeling of melancholy, boredom and perennial dissatisfaction, which leads to an unconscious resignation for what has not been, is not and can never be.

A few weeks before Carnival, slum boys organize huntings for stray cats, whose leather can be used in Samba percussion instruments, like the Tamborim, a small drum.

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

Millie Blake, a high school senior soccer player, has her life turned upside down after an altercation with an out and proud classmate of hers, Andy Wellick. As punishment, the two girls get sentenced to a month of community service at a local nursing home. As she begins to not only bond with two of the residents, Jade and Pepper, but with Andy too, Millie begins to understand more about herself and becomes more confident in who she is.

A 10-minute portrait of modernist poet and de Andrade’s godfather, Manuel Bandeira, is clear in its affection for it subject, though like many New-Waveish films of the time, depicts the modern urban landscape as an ominous and alienating force.

An enigmatic, existential enforcer for a small-time local crime boss does not suffer fools gladly. Unfulfilled and compromised by his life and the pointlessness that surround him, he detaches -- and methodically explores life's transitory nature in a surprising way. ICE is not a brooding film -- with flashes of humor and quirkiness -- it is a film about hope.