The Line

Hans Wolgast is executed with a shot in the head in the idyllic town of Husum to Mozart's Magic Flute. His half-brother, Inspector Anton Glauberg, immediately suspects that the shadows of the family past have caught up with him because Hans was a member of the RAF. Without initially disclosing that he not only knew the dead man but was even related to him, Glauberg begins to investigate, supported by the young, attractive but inexperienced BKA officer Paula Reinhardt. The traces lead to Berlin to the scattered remnants of the RAF and its still functioning cable groups. Wolgast lived there in a shared apartment before he, like so many former terrorists, fled to the GDR in the 1980s. A former roommate of Hans Veith Seewald points out the parallel to Glauberg to a murder case from 1978.

The story takes place in Haifa, Israel, in 1979, during three days before the Shabbat. A young woman trying to raise three children, work from home, and observe the strict Moroccan traditions of her family finds herself at constant odds with her husband and her brothers, who want her to stay married and leave behind the notions of being loved and free.

Jenny is hit in the head by a soccer ball. When she comes to, the clock has turned back exactly 32 years! It is June 21, 1974, the year of the football World Cup, one day before the football match between the Federal Republic of Germany and the GDR. Jenny experiences two turbulent days at the side of her future parents - in both parts of Germany.

It is the year 2060 and AIDS has been eradicated. However, in some, the HIV virus has now mutated into a gene from which a drug can be produced that has become the white powder of the twenty-first century. With a virtually supported scanning system, secret police are trying to identify anyone who carries this gene. Filmed in Berlin, Taiwan-born multimedia artist and filmmaker Shu Lea Cheang’s science fiction dystopia revolves around a struggle to gain control over the production and exploitation of bodily fluids. Her film is like an orgiastic opera; a breathless round of bodies, secretions, performances and sexual acts often performed in the service of an overriding economy. An unusual, largely experimental and deliberately parapornographic drama in which the borders between the sexes as well as homo-, hetero-, bi-, trans- or intersexual are constantly blurred.

A geologist, Sarah Portico, travels to a remote island to investigate an environmental mystery. Upon her arrival, she experiences strange visions, dreams that seem to predict her future, and eventually force her to confront her painful past. As Sarah uncovers the cause of the environmental mystery, she discovers her true self. Out of the Fog is an experiential film about emotional healing and self-discovery.

When perpetually single, aging music industry exec Harry Sanborn, and his latest trophy girlfriend, Marin, arrive at her mother's beach house in the Hamptons, they find that her mother, playwright Erica Barry, also plans to stay for the weekend. Erica is scandalized by the relationship and Harry's sexist ways. But when Harry has a heart attack while there, and the doctor prescribes bedrest, his only option is to stay at the Barry home. Left in the care of Erica and his doctor, a love triangle starts to take shape.

Rachel, a Jewish-American woman, moves to Vienna, Austria to work for the IAEA. She befriends Yitzhak, an Ethiopian Jew and former refugee, who lives in her apartment complex. When confronted with their shared cultural history, Rachel must reconcile her past with Austria's Holocaust history and the current refugee crisis gripping Europe.

In a dystopian future, a totalitarian regime maintains peace by subduing the populace with a drug, and displays of emotion are punishable by death. A man in charge of enforcing the law rises to overthrow the system.

A horrible massacre strikes up after an outcast teenage girl is taunted by a group of high school jocks, all of them unaware of her cutthroat telekinetic powers.

Ema finds out she is pregnant with an unplanned child she's not sure she wants to keep, the same week her beloved grandmother becomes gravely ill. Spending her last days at her grandmother's side, Ema is forced to spend time with her estranged, larger than life mother, getting to know her and seeing her with new eyes. As she spends time with the people gathered around her grandmother in her last days; Ema re-evaluates her beliefs, her fears and her set ideas about family, love and parenthood.

A young father, separated from his wife, takes drastic measures to see his newborn son, who he feels is being unfairly kept from him. However, alliances shift and feelings change as accusations fly in the course of a phone conversation.

A woman wanders in a big and empty parking lots following a man who she seems to want to ambush. From her gestures something furious and menacing emerges. Everything seems to draw back to a woods beyond her abandoned home, a place that hides the true nature of her actions.

The body of a young woman is discovered near a farm. The judge, Larcher is in charge and thinks that the farmers have something to do with the murder.

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When Ruth's husband dies in New York, in 2000, she imposes strict Jewish mourning, which puzzles her children. A stranger comes to the house - Ruth's cousin - with a picture of Ruth, age 8, in Berlin, with a woman the cousin says helped Ruth escape. Hannah, Ruth's daughter engaged to a gentile, goes to Berlin to find the woman, Lena Fisher, now 90. Posing as a journalist investigating intermarriage, Hannah interviews Lena who tells the story of a week in 1943 when the Jewish husbands of Aryan women were detained in a building on Rosenstrasse. The women gather daily for word of their husbands. The film goes back and forth to tell Ruth and Lena's story. How will it affect Hannah?

Marcelline is an actress. Forty, single and childless, she begins rehearsals for Turgenev’s A Month in the Country. Denis, the director, admires her greatly and promises he’ll make her happy on stage — she will shine. But things don’t go to plan.