Hotel Coolgardie

In A Town This Size introduces an Oklahoma town and its long-suppressed tragedy of childhood sexual abuse. The abuser, a prominent and trusted former pediatrician is, through this film and for the first time, held accountable for the actions he cleverly perpetrated. Stories are told through poignant first-person interviews with his victims, their families and professionals. This film brings to viewers an unnerving familiarity with the lifelong devastation resulting from this kind of abuse. Covering events in the 1960s and 1970s and continuing into present times, these personal stories devastate, frustrate and inspire. In A Town This Size moves audiences to confront child sexual abuse as a primary social issue and presses for changes in state statutes of limitation.

Documentary about the making of ’Spring Break Zombie Massacre.’

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A film about three teenagers - Klara, Mina and Tanutscha - from the Berlin district of Kreuzberg. The trio have known each other since Kindergarten and have plenty in common. The three 15-year-olds are the best of friends; they are spending the summer at Prinzenbad, a large open-air swimming pool at the heart of the district where they live. They're feeling pretty grown up, and are convinced they've now left their childhood behind.

A slice-of-life look at how kids in the former mining town of Silverton, Colorado stay busy in the summer by “mining” and selling rocks to tourists. Through this time-honored rite of passage, these “rock stars” learn history, social skills, and become little entrepreneurs while delighting tourists from around the world.

Seemayer Studios presents a new documentary about the American Hotel in downtown Los Angeles and the Arts District that surrounds it. Since 1979, the American Hotel has been the beating heart of a rich community of artists who began moving into the deserted factory buildings between Alameda and the Los Angeles River.

Examines the relationship between sex, women, and the role of female sexuality in popular Hollywood culture, focusing on Marilyn Monroe, Jayne Mansfield, Jean Harlow, and Sharon Stone.

This lurid documentary offers a revealing expose of various deviant activities being practiced in that seething hotbed of sin and hedonism known as Los Angeles. Among the subjects shown herein are a young couple who are paid to have sex in front of leering voyeurs, a gang of rowdy bikers, a French artist who makes fancy designs out of women's pubic hair, a wild swinging Hollywood party, and an exclusive club of wealthy perverts.

In the beginning was sex. To the ancient cultures, sexuality, love and sex were inextricably connected with the creation of the earth, the heavens and the underworld. To the citizens of the ancient civilizations that gave birth to ours, sensuality and sexuality were an integral part of society. This series exploration of Egyptian and Roman sexual practice allows viewers the opportunity to see how attitudes and beliefs about sexuality functioned in the early civilizations, and how those attitudes reveal the unspoken rules that defined public and private behavior. Episodes cover human sex and sexuality from a historical perspective, and examines in detail different texts and images which provide us with evidence about sexual practices, beliefs and ideologies in the ancient world – from erotica on pots to legal texts, phallic votive objects, fertility ceremonies, prostitution, female and hermaphroditic creator deities, from religious rituals to sex manuals.

The story of an American hero and the Cherokee Nation's first woman Principal Chief who humbly defied all odds to give a voice to the voiceless.

A 1972 educational film by Dan Gibson Productions, aims to guide young viewers in recognizing the temptations and risks associated with alcohol and excessive drinking through the lens of a nature documentary. Through a series of cautionary scenarios and reflections, it sheds light on the societal lure of alcohol and its potential consequences. This film serves as both a warning and a primer on self-awareness around drinking habits, connecting with an era increasingly concerned with youth education on substance use.

Stephen Cummings is one of Australia's most revered rock 'n' roll icons. Rising to fame as frontman of ‘70s legends The Sports, he has spent more than 30 years at the forefront of the local music scene, forging a reputation both as one of Australian rock's greatest lyrical storytellers and also one of its most incendiary critics. Based on his scathing tell-all memoir Will It Be Funny Tomorrow, Billy?, Don't Throw Stones tells Cummings' story in his own words – as well as the words of those he has so gleefully skewered. Featuring interviews with Michael Gudinski, Steve Kilbey, Joe Camilleri and many more, Don't Throw Stones is a revealing portrait of three decades of rock-world gossip, larger-than-life personalities and good, old-fashioned artistic beef.

Six people, one room, one night, one game, a lot of sensuality and much to discover. A Film that shows how bodies and minds might meet when allowed to. Get involved within a stimulating experiment, somewhere between aesthetic statement and real venture, between pornographic art and the attempt to reposition sexuality within dialogue and actions.

Previously unreleased material outlines the campaign against Bill Clinton's presidency, from his days in Arkansas up to his impeachment trial.

Outraged by the controversial January, 1988 article in Cosmopolitan magazine, the women in the AIDS Coalition to Unleash Power, (Act Up, New York), organized the first AIDS demonstration focused on women. Doctors, Liars and Women:AIDS Activists Say No To Cosmo not only documents the efforts of the Women's Committee to organize this protest, it also serves as a how-to-guide for direct action.

Pier Paolo Pasolini sets out to interview Italians about sex, apparently their least favorite thing to talk about in public: he asks children if they know where babies come from; asks old and young women if they support gender equality; asks both sexes if a woman's virginity still matters, what do they think of homosexuality, if divorce should be legal, or if they support the recent abolition of brothels. He interviews blue-collar workers, intellectuals, college students, rural farmers, the bourgeoisie, and every other kind of people, painting a vivid portrait of a rapidly-industrializing Italy, hanging between modernity and tradition — toward both of which Pasolini shows equal distrust.