You and Me

Riding Giants is story about big wave surfers who have become heroes and legends in their sport. Directed by the skateboard guru Stacy Peralta.

A short film depicting the universality of life, growth, and how beautiful life is to simply exist. The film shows how beautiful it can be when we show tenderness & love for one another, through the narration & home movies of four sisters & their mother from when they were born up to the present. The film was made over 18 years on The Australian Coast.

An up-close look into the life of the often misunderstood movie director Grigori Kromanov through the lens of old friends and colleagues.

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From the moment we got engaged and set a wedding date, we began thinking about the reasons we chose one another. What was so special about this relationship that we decided to spend our lives together? Would our love be the same if we were born in another time or at another place? What is love exactly? Driven by those questions, we decided to embark on a one year journey around the world to research whether love, one of the highest values in our lives, is universal, or it is completely conditioned by the circumstances around us.

In a time where there are fences around everything, and we are denied the instinct of self‐preservation, it is difficult to find a place free from rules and restrictions, but not yet impossible. Surf movies come and go, a million waves in exotic locations and surfers flown in for three‐day shoots on perfect swells, but the spirit of adventure never dies. What began as a three‐month trip to a collection of surf breaks off the beaten track turned into a two‐year odyssey of exploration, injury, companionship and 4,000km of two‐wheeled, single‐finned escape from the real‐world burdens of modern life. Harrison Roach and Zye Norris pack their bags, a diverse quiver of boards, two bikes and a 50‐dollar tent into a 1970s Land Rover and embark on an epic quest from the southern reaches of Bali, through the Indonesian archipelago to Northern Sumatra’s isolated Lagundri Bay.

A lonely house-wife’s plan to end it all takes an unexpected turn when her last hurrah begins a radical journey of sexual exploration and personal re-invention.

Hansel's grandfather's wife died. They have lived together for over fifty years. For three years he has been living alone, cannot find a place for himself and constantly misses her.

Details fade from the mind, just like memories. Clarity in memory becomes blurred, and our bodies are the marked spaces once inhabited by others. When nothingness becomes memory, what do we remember? Reflecting on the past, present, and future, different bodies will connect, sharing their feelings and emotions through touch. Skin, with its textures and uniqueness, becomes the link to the absent other, and in the need for details, we seek to remember what has been forgotten.

For more than a decade, my grandmother has been the tireless caregiver of my grandfather, who suffers from Alzheimer's disease. Through this story, we explore the love, sacrifice, and despair of someone who devotes their life to caring for another.

Previously untold story of the unlikely Irish roots of the worldwide surfing phenomenom

I was scrounging around the neighborhood for inspiration. Within a block from my apartment, I found a wild mushroom in the grass, and an advertisement for a psychic named Sara.

William Hart McNichols is a world renowned artist, heralded by Time magazine as "among the most famous creators of Christian iconic images in the world". As a young Catholic priest from 1983-1990 he was immersed in a life-altering journey working as a chaplain at St. Vincent's AIDS hospice in New York city. It was during this time that he became an early pioneer for LGBT rights within the Catholic church. "The Boy Who Found Gold" is a cinematic journey into the art and spirit of William Hart McNichols. The film follows his colorful life as he crosses paths with presidents, popes, martyrs, and parishioners, finding an insightful lesson with each encounter. McNichols' message as a priest, artist and man speaks to the most powerful element of the human spirit: Mercy.

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Through archival footage of his parents' wedding, the filmmaker reflects on love and marriage in contemporary Serbia. Observing traditional Balkan rituals, he questions his own place as an LGBT individual in a society resistant to equality. The film explores the tension between tradition and modern love, and the hope for a future where everyone can experience love freely. Through his personal journey, he confronts family expectations and dreams of acceptance.

Liz tries to keep her friend from making the worse mistake of her life.