Barefoot Gen

A story about the effect of the atomic bombing of Hiroshima on a boy's life and the lives of the Japanese people.

Three years after the Hiroshima bombing, a teenager helps a group of orphans to survive and find their new life.

Set in Tokyo in 1940, the peaceful life of the Nogami Family suddenly changes when the father, Shigeru, is arrested and accused of being a Communist. His wife Kayo works frantically from morning to night to maintain the household and bring up her two daughters with the support of Shigeru's sister Hisako and Shigeru's ex-student Yamazaki, but her husband does not return. WWII breaks out and casts dark shadows on the entire country, but Kayo still tries to keep her cheerful determination, and sustain the family with her love. This is an emotional drama of a mother and an eternal message for peace.

The background is Yuraku-cho in Tokyo and the film shows how desperately the women, who had led sheltered lives before the war, struggled to keep alive and the innate strength of post-war women.

The story of a village woman given the grueling task of looking after (and fulfilling the sexual needs of) her quadruple amputee husband, a Japanese soldier in the Second Sino-Japanese War who has been decreed a "War God" by the Emperor.

This enticing period melodrama depicts a long-suffering woman's relationship with her brilliant but self-destructive writer husband in postwar Tokyo. Based on a semi-autobiographical 1947 novel by Osamu Dazai, the story centers less on the womanizing, heavy-drinking, suicidal hero than on the wife who loves him. Written by Palm Springs International Film Festival

In the teeming black markets of postwar Japan, Shozo Hirono and his buddies find themselves in a new war between factious and ambitious yakuza.

Taking the Chilean coup as an example, a group of young officers plan to overthrow the Japanese government on V-J Day. They aim to abolish the post-war constitution, restore the national army and revive the traditional spirit of Japan. As the conspiracy is exposed, the coup squadrons are wiped out one by one. The remaining squadron takes over a night train bound for Tokyo.

In the shady black markets and bombed-out hovels of post–World War II Tokyo, a tough band of prostitutes eke out a dog-eat-dog existence, maintaining tenuous friendships and a semblance of order in a world of chaos. But when a renegade ex-soldier stumbles into their midst, lusts and loyalties clash, with tragic results. With Gate of Flesh, visionary director Seijun Suzuki delivers a whirlwind of social critique and pulp drama, shot through with brilliant colors and raw emotions.

Based on a play by Hisashi Inoue, it focuses on the sufferings of the survivors of Hiroshima. The film takes place during 4 days in the summer of 1948, as the ghost of her father visits Mitsué (Rié Miyama). He had somehow learned that she has fallen in love, and tries to convince her to start her new life. But Mitsué obstinately refuses his warm and humorous encouragements : « People were killed in my place. I do not have the right to find happiness », she says.

In the black market, a war orphan is confronted with the struggles of people living in the immediate aftermath of WWII.

Tokiko patiently awaits her husband's return from WWII when her four-year old son falls ill. She takes him to the doctor but has no means of paying, so she resorts to prostitution. A month later, her husband returns to find his desperate wife, who tells him the truth. Together, they must deal with the consequences.

No description available.

A man who survived the war carries the will of his comrades in arms, walking across the country visiting the bereaved families.

Gabai Granny is based on the bestseller Saga No Gabai Baachan (Gabai Granny from Saga), which is penned by comedian Shimada Yoshichi as he recounts his childhood memories of growing up under the care of his grandmother.

Prostitutes in burnt out Tokyo ghetto of post-WWII Japan peddle their flesh and save one-third of their money for a proposed dancehall to be named Paradise. The hookers live in a bombed-out building, but they accept the precarious situation with typical resolve.