Yo he visto a la muerte

No description available.

Blas Romero "El Platanito" is a bullfighter who begins to take its first steps in Merida. After a long journey, one day he is lucky enough, his performance is showed on TV and that brings him to top of the charts. From now on, his problems will be centered with the dilemma of having to give up their dreams of making serious classical bullfighting, or jump to a false bullfighting, between slapstick and temerity, which will give offer him numerous well-paid contracts.

Juanito, a peaceful fan of bullfighting, has become picador's assistant to see from the same arena the show in which he brags he is one of the protagonists. Furthermore, he believes he has discovered in a neighbor a potential figure of bullfighting sphere.

No description available.

After his retirement, french philosopher and bullfighting enthusiast Francis Wolff decides to embark on a journey to France, Spain and Mexico joined by two mexican filmmakers who hardly know anything about bullfighting, a culture whose days seem to be numbered. During their road trip, they encounter numerous personalities with whom they reflect on mankind’s relationship with animals and nature, but most importantly on our relationship with death and the meaning of the ultimate journey: life itself.

Miguel Ángel Pérez, better known as “Kankel,” is a well-known and beloved figure in Santander (Cantabria). In this short documentary, he shares his amusing stories from the bullring spanning nearly 60 years, making him Spain's longest-serving bullfighter. The story is told through a series of photographs, all delivered with his characteristic sense of humor.

The Maclean brothers, Paul and Norman, live a relatively idyllic life in rural Montana, spending much of their time fly fishing. The sons of a minister, the boys eventually part company when Norman moves east to attend college, leaving his rebellious brother to find trouble back home. When Norman finally returns, the siblings resume their fishing outings, and assess where they've been and where they're going.

While waiting for her divorce papers, a repressed literature professor finds herself unexpectedly attracted by a carefree, spirited young woman named Cay.

Attilio is a 17-year-old boy living in the Traiano neighborhood of Naples. With his father having just been released from prison, in order to earn some money he agrees to be a guardian for Anastasia, a young prostitute from Eastern Europe. Progressively a feeling arises between the two that will push the boy to make choices.

Bianca is 23 years old, and it already feels like too much. She has left her parents' home and is supposed to attend university, but she never goes. She has a few specific obsessions: the passing of time, cocaine, and Angelica. Since they started living together, everything seems to move faster, spiraling downwards. Even their friendship stumbles into addiction and becomes confused with love. Bianca keeps a notebook, jotting down notes for her books. Still, she wishes she could write everything in it: that youth is painful and already slipping away, that friendship breaks your heart, and that we constantly lose everything — and yet, maybe, in the end — between the night streets of Rome, the boys of Naples, and the tree that stands silently, visible through the window — nothing will be truly lost.

No description available.

Jim, a discharged sergeant, arrives in New York to find his mother has died. Grieving, he meets Elena at a bar. She offers him a place to stay, but he's too tired to respond. The next morning, Jim's childhood dream comes true.

The peaceful balance of a family living in seclusion on an island at the mouth of the Po River is shattered by the unexpected arrival of two fugitives on the run after a robbery. The idealistic family, determined to guide the bandits back to the right path, decides to hide them from the police. This forced coexistence, marked by suspicion, seduction, and subtle deceptions, sparks a clash between two opposing worlds: the utopian purity of the family and the ruthless cynicism of crime

No description available.

The landowner Bergmann and his wife hire Annie as a maid, but when the girl gets pregnant by a relative of her master, they dismiss her. Only Johann, the coachman, tries to help her. The child grows up without his mother at the Bergmanns'. A few years later, Johann helps Annie kidnap her son. But, discovered, he is condemned and imprisoned. After serving his sentence, the coachman retaliates by burning the estate. Annie, who tries to save her son, is killed.

Two strangers meet on a bridge where they have both come to commit suicide.