In Old Kentucky

An American family moves in to the Canterville Chase, a London mansion that has been haunted by ghost Sir Simon De Canterville for 300 years.

Steve Coogan, an arrogant actor with low self-esteem and a complicated love life, is playing the eponymous role in an adaptation of "The Life and Opinions of Tristram Shandy, Gentleman" being filmed at a stately home. He constantly spars with actor Rob Brydon, who is playing Uncle Toby and believes his role to be of equal importance to Coogan's.

A radio reporter from Helsinki arrives in the village of Kankkula just before Midsummer to conduct interviews. The old sheriff demands that his nephew Lauri, who serves as the village policeman, continue the generations-old tradition of arresting the old master of Tippavaara, whom the sheriff believes to be brewing moonshine. However, Lauri is in love with the old man's niece Leena, and the couple's plans to get engaged conflict with Lauri's duties.

Gilbert, poet and singer, is about to marry Lilette but deep inside himself he is not quite sure that she is the woman he needs. That is the reason why he has made up an imaginary woman, Frédérica" to whom he writes love letters, actual ones this time. When Lilette finds one of these, she sees red. Théodule, one of Gilbert's many friends, sets out the problem with the help of Claudine, his own girlfriend, posing as Frédérica. After Gilbert and "Frédérica" have played a phony breakup scene in front of Lilette, things seem to come right when... another Frédérica appears...

From Jane Austen’s novella, the beautiful and cunning Lady Susan Vernon visits the estate of her in-laws to wait out colorful rumors of her dalliances and to find husbands for herself and her daughter. Two young men, handsome Reginald DeCourcy and wealthy Sir James Martin, severely complicate her plans.

Young Jim Hawkins finds himself serving with pirate captain Long John Silver in search of a buccaneer's treasure, in this Soviet Ukrainian animated adaptation of Robert Louis Stevenson's classic tale

Adapted from a story in 1001 Nights, the story concerns the death of an actor and the comical incidents that occur as different people come into possession of, and attempt to dispose of, his body.

Konstantin, a songwriter and master guitarist, runs away from numerous problems to the nature reserve Mikhailovskoye. Kostya has long lost any way of income and has almost given up hope to be heard, living by sheer inertia and often drawing on alcohol. His wife and daughter are going to Canada, and in his head he constantly turns around the question: what exactly has gone wrong? How can he put it right? Does anyone need his creative work at all, or has he just talked himself into that? Maybe Konstantin has enough energy to change things, but he strongly doubts that: indeed, why and for whom should he try. Nevertheless, the nature reserve is the right place to collect his thoughts, break the minefield of his own life into sections, and get to work.

After returning from a masquerade, much to his surprise, a wandering textile salesman stumbles upon an abandoned and helpless baby. Will he find his parents--and if not--will the poor child finally find a loving foster family?

A dramatized episode from Robert McCloskey's book "Homer Price." Shows Homer's resourcefulness in managing the dilemma created by a doughnut machine with a mind of its own.

Via a magic mirror, Twilight Sparkle travels into an alternate universe in order to recover a crown that was stolen from the Crystal Empire. Upon her arrival she is horrified to learn that she has turned into a human.

An adaptation directed by Claude Whatham for the BBC's Theatre 625 slot. Essentially a recording of John Barton's acclaimed Royal Shakespeare Company production starring Catherine Lacey (the Countess), Ian Richardson (Bertram), Lynn Farleigh (Helen), Clive Swift (Parolles) and Sebastian Shaw (the King), it was broadcast on 3 June 1968.

Video recording of a 1978 New York Shakespeare Festival performance. Directed for stage by Wilford Leach and videotaped by Jaime Caro.

After the overthrowing of Duke Senior by his tyrannical brother, Senior's daughter Rosalind disguises herself as a man and sets out to find her banished father while also counseling her clumsy suitor Orlando in the art of wooing.

The film is a contempary-set version of William Shakespeare's play As You Like It.

One of the earliest hits for the newly established RSC, Michael Elliott’s sparkling version of Shakespeare's comedy is still remembered with joy by a generation of theatre-goers. The design was dominated by a huge oak tree, but the production is most memorable for Vanessa Redgrave’s luminous Rosalind, supported by Max Adrian and Ian Bannen.