Red Men on Parade

For over 100 years, Hollywood cinema has crafted the ultimate "villain"- the Indian, as they were labeled in early Westerns. Confined almost exclusively to this genre, the Western became a vehicle for American racism, obscuring the genocide upon which the United States was built. In this documentary, only Native Americans are given a voice to share their story, one that has been overshadowed by Hollywood's portrayal. Their narrative, part of the larger American story, highlights how cinema has long been used as a powerful propaganda tool, distorting history and perpetuating harmful stereotypes.

A look into the 19th century American-Indian Wars, Manifest Destiny, and the conflicts between Apache tribes and the African-American Buffalo soldier regiments.

What is it like to be young and grow up on a reserve? Focussing on music lessons, the film reveals the complex relationships that Indigenous youth can have with their “white” teachers. How can two cultures come together? A question the film asks, while inviting us into the private worlds of three Atikamekw teenagers, Myrann, Wapan and Seskin, who are trying to build their future and find a place in this world.

An intimate and thrilling portrait of a young Siksika woman and the deep bonds between her father and family in the golden plains of Blackfoot Territory as she prepares for one of the most dangerous horse races in the world… bareback.

In the Sacramento Mountains of Southern New Mexico In the shadow of Sierra Blanca Peak Live the proud people of the Mescalero Apache With a history of peace, and unimaginable struggle The Mescalero live to honor their ancestors While fighting to survive in a modern world This is their story, in their words, from their Homeland Nation.

The story of a poor girl who leaves her starving family and sheep for a more prosperous village. Her grandfather finds her and tries to convince her to return to her home.

This colorful archival record of Québec City's Winter Carnival shows that many popular events of today—pageants, parades, boat races, folk dancing, fireworks, and torchlight skiing—were also favorites many years ago.

We begin at the train station near Montana's Glacier National Park, where Blackfeet Indians meet the arriving tourists. Glacier Park, an off-screen narrator tells us, has the remnants of 60 glaciers, from three ice ages. We visit the lodge, built in Swiss style, where college students dressed in Swiss garb do the serving at the restaurant. We watch Indian dancing and a ceremony. After views of lakes, mountains, and trails in the park, it's north to Canada's Waterton Lakes, a vacation spot for Canadian and U.S. families.

Navajo Film Themselves is a series of seven short documentaries: Intrepid Shadows (1966), The Navajo Silversmith (1966), A Navajo Weaver (1966), Old Antelope Lake (1966), Second Weaver (1966), The Shallow Well Project (1966), and The Spirit of the Navajos (1966).

A compelling study of the Hopi that captures their deep spirituality and reveals their integration of art and daily life. Amidst beautiful images of Hopi land and life, a variety of Hopi — a farmer, a religious elder, a grandmother, a painter, a potter, and a weaver — speak about the preservation of the Hopi way. Their philosophy of living in balance and harmony with nature is a model to the Western world of an environmental ethic in action.

With Pete Smith providing dry off-screen commentary, we watch some serious fishing: a marlin caught near Catalina, a hammerhead shark caught then wrestled in a small rowboat near Baja, the largest (721 pounds) great white shark caught to date in California waters, Chinook Indians catching salmon at Celilo Falls in Oregon - each with his designated place on the river where his ancestors stood, and, last, a crew on a boat off Mexico hoisting and hurling tuna using unbarbed hooks (baited only with a feather) as fast as they can as long as the school is there - backbreaking work - but a $25,000 catch.

Scenes of daily life in the Indian communities of Ecuador.

Xapiri is a Yanomami term that characterizes the shamans, male spirits (xapiri thëpë) and also auxiliary spirits (xapiri pë). Xapiri is an experimental film about Yanomami shamanism that was filmed during a meeting of 37 shamans at the Watoriki Reserve, Roraima, in March of 2011. The film was designed to take into account two different notions of image: those of the Yanomami and ours. Therefore, it does not set out to explain shamanism, its methods or procedures, but to allow different cultures to visualize and feel the way in which the shamans “embody” the spirits, their bodies and voices.

The film is a portrait of Annie Mae — what she lived for and ultimately died for — a personal perspective of recent Native American history also emerges. The film, winner of several awards, focuses on the long-standing and pervasive problems of Native Americans and was written, produced and directed by Lan Brookes Ritz.

African American soldiers throughout the 19th and 20th Centuries faced discrimination and segregation, yet many still chose to fight for their country.

A homicide detective teams up with an evolutionary biologist to hunt a giant creature that is killing people in a Chicago museum.