Peggy Guggenheim: Art Addict

Started as a class project in what was likely the first filmmaking course ever taught at Harvard, Marathon documents the running of the 1964 Boston Marathon.

Renee Tajima-Peña takes to the road to investigate questions about Asian-American identity.

Henry Rollins narrates Lilly Scourtis Ayers' no-holds-barred profile of volatile Bay Area punk legend Marian Anderson, whose hypnotic beauty, devil-may-care rebellion and shocking sexual exploits onstage launched her to infamy before tragically dying of a heroin overdose at the tender age of 33.

Encouraging visitors to engage and connect with on site artist's, Artpark provides a unique environment for those craving culture away from the whirring city. Located in Lewiston, New York the outdoor venue opens itself to artists, musicians and performers seeking a spot to reflect and create. During the summer seasons Artpark serves as an immersive experience, inviting the public to observe the artists as they work. Artpark People observes the vibrant scene and captures candid interactions between artist and onlookers. With a heavy emphasis on outdoor space and environmental influence, Artpark asserts itself as a cultural and communal haven for creatives.

"I especially hope to inspire young women, because I often feel like so much emphasis is put on how beautiful you are, and how thin you are, and not a lot of emphasis is put on what you can do and how smart you are. I'd like to change the emphasis of what's important when looking at a woman." Filmed in San Francisco in 2000, Margaret Kilgallen (1967-2001) discusses the female figures she incorporated into many of her paintings and graffiti tags. Loosely based on women she discovered while listening to folk records, watching buck dance videos, or reading about the history of swimming, Kilgallen painted her heroines to inspire others and to change how society looks at women. Three of Kilgallen's heroines—Matokie Slaughter, Algia Mae Hinton, and Fanny Durack—are shown and heard through archival recordings. Kilgallen is shown tagging train cars with her husband, artist Barry McGee, in a Bay Area rail yard and painting in her studio at UC Berkeley (source: Art21).

The story of Pixar's early short films illuminates not only the evolution of the company but also the early days of computer animation, when a small group of artists and scientists shared a single computer in a hallway, and struggled to create emotionally compelling short films.

Melbourne-based Stelarc burst into prominence in the early 1970s with confronting, and outrageous public art performances. Following his mantra that ‘the body is obsolete’ he set about testing the limits of his own body in a series of death-defying stunts. Stelarc has always fought to escape the force of gravity. A third arm, an extra ear, a cheeky prosthetic head and an ambidextrous hand all play parts in this lively biopic as Stelarc wrangles the intersection between humanity and technology.

Commentator-comic Bill Maher plays devil's advocate with religion as he talks to believers about their faith. Traveling around the world, Maher examines the tenets of Christianity, Judaism and Islam and raises questions about homosexuality, proof of Christ's existence, Jewish Sabbath laws, violent Muslim extremists.

While serving with the African Union, former Marine Capt. Brian Steidle documents the brutal ethnic cleansing occuring in Darfur. Determined that the Western public should know about the atrocities he is witnessing, Steidle contacts New York Times reporter Nicholas Kristof, who publishes some of Steidle's photographic evidence.

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Documentary filmmaker Amy Berg investigates the life of 30-year pedophile Father Oliver O'Grady and exposes the corruption inside the Catholic Church that allowed him to abuse countless children. Victims' stories and a disturbing interview with O'Grady offer a view into the troubled mind of the spiritual leader who moved from parish to parish gaining trust ... all the while betraying so many.

A one-of-a-kind cinematographic experiment. A grotesque fairy tale, staged in the real lives of the characters. A completely self-produced movie, designed and directed by two visual artists, with the purpose of telling the tale of Artaserse, a retired worker, boxer, trainer and life-long painter. Everything is staged in an industrial, now decadent Terni; like a steel bay without the sea, here it's difficult to dream about becoming an artist. This movie is like a suburban western movie; the boxer and the painting dancing the communal square dance together, in life and death, the meeting-match between Artaserse and an allegorical and remorseless art world, and more generically, the battle of all the colorful characters, appearing throughout.

A documentary on seniors at a high school in a small Indiana town and their various cliques.

Friends since high school, 20-somethings Kaleil Isaza Tuzman and Tom Herman have an idea: a Web site for people to conduct business with municipal governments. This documentary tracks the rise and fall of govWorks.com from May of 1999 to December of 2000, and the trials the business brings to the relationship of these best friends. Kaleil raises the money, Tom's the technical chief. A third partner wants a buy out; girlfriends come and go; Tom's daughter needs attention. And always the need for cash and for improving the site. Venture capital comes in by the millions. Kaleil is on C-SPAN, CNN, and magazine covers. Will the business or the friendship crash first?

Contrary to the public stereotype of a youthful homosexual community, gay men and women do grow old. Silent Pioneers presents an upbeat focus on the lives of these people today, showing them living full and diverse lives and sharing concerns on ageing, health and housing, with other senior citizens. It also considers how support networks within the gay and lesbian community have enriched and strengthened their individual lives.

Two tons of snow—flown from New Hampshire to Puerto Rico in 1952 in order to “gift” Puerto Ricans a “white Christmas”—become a metaphor for the colonialist paternalism of America’s relationship to Puerto Rico.