Twentieth Century

Buster and his new cast now have their sights set on debuting a new show at the Crystal Tower Theater in glamorous Redshore City. But with no connections, he and his singers must sneak into the Crystal Entertainment offices, run by the ruthless wolf mogul Jimmy Crystal, where the gang pitches the ridiculous idea of casting the lion rock legend Clay Calloway in their show. Buster must embark on a quest to find the now-isolated Clay and persuade him to return to the stage.

Sergeant Cruchot and his faithful comrades have been sent to the International Congress of Gendarmerie in N.Y.

No description available.

Turn-of-the-century love story centered around a young doctor and the emergence of modern science.

On the run from the police and a female roller derby team, scam artist Michael Rangeloff steals a coffin and boards a train, pretending to be a soldier bringing home a dead war buddy. He gets more than he bargained for from the train and the coffin.

The story of two carefree men who use every trick in the book to make a comfortable living.

No description available.

A husband plans to shoot the man having an affair with his wife, but both come to realise their desire to escape the tyrannical woman in their lives.

Enrico, a traveling salesman who lives in a room in Amalia's house, returns from a long trip to find that his room has been turned into a funeral chamber for the death of Gennaro, the woman's husband. Shocked, the man confides his fears to a doctor, who replies that the only real fear is that of the living, not the dead.

Attilio and Emilia are two newlyweds who love each other madly despite the extreme poverty in which they live. Their relationship is contrasted by that of Domenico and Sofia, the owners of their house, who live in constant conflict. When Christmas arrives, despite their poverty, the two young people decide to give each other gifts: Emilia agrees to cut and sell her long hair to buy a chain for her husband's watch, while Attilio sells his watch to buy a hair clip for his wife.

Jim Hutton and Mary Archer are two liberals who are content to remain faithful to each other in spirit only. They are married with all the ritual of a church wedding, the bride believing that each should be allowed perfect freedom in personal contacts. Complications arise when these ideals are put into practice.

Two local toughs run a ramshackle gambling and dating den under the cover of a "hunting club." The place is frequented by all sorts of characters, from the upper crust of Naples to petty criminals who use it as a base of operations, and the noise is such that it won't take much to blow their cover.

On his way home, Don Simone meets his friend Ciccillo, who asks him for a favor: to entertain the husband of a woman, his lover, until they find the keys to her house. Simone accepts the task and his friend points out a man sitting in a pizzeria as the lover's husband. After a series of mishaps, however, poor Simone discovers that the man had nothing to do with it and that the person Ciccillo wanted to entertain was actually him.

When struggling, out of work actor Michael Dorsey secretly adopts a female alter ego—Dorothy Michaels—in order to land a part in a daytime drama, he unwittingly becomes a feminist icon and ends up in a romantic pickle.

When a street-smart FBI agent is sent to Georgia to protect a beautiful single mother and her son from an escaped convict, he is forced to impersonate a crass Southern granny known as Big Momma in order to remain incognito.

When investigative reporter Irwin "Fletch" Fletcher goes undercover to write a piece on the drug trade at a local beach, he's approached by wealthy businessman Alan Stanwyk, who offers him $50,000 to murder him. With sarcastic wit and a knack for disguises, Fletch sets out to uncover Stanwyk's story.