Muen and Rid

Three parallel love stories set in three different cities are set against some of the major international events of the last five years, in this ambitious.

"The film itself was adapted from a classical Thai art form of drama called "Khon"which means Masked drama, considered by Thais as the most highly dramatic art form and certainly, representing a part of Thai Thai culture. However, the action in the film was sped up and faster than the original "khon" on the stage, including the content of the story. The modern special effect techniques were used to create the miracle and magic performed by each side of the warriors in the story. The story tells about the battle between the great King Rama and Demon Kumpakan, younger brother of Tosakan, the demon king, Rama's army of monkeys are shown fighting valiantly against Kumpakan's Demons. This is the very first time that the elegance and brilliance of "Ramakien" has been converted into a fascinating film by a professional group of Thai film producers." - Poster Text

Twelve daughters are abandoned by their parents, who are too poor to educate so many children. The twelve daughters are rescued by a "Yak" woman who promises to take care about them as her own daughters. She deceived them and force them to drink a potion that transform the young girls into beautiful maidens.

Belonging Syndrome is a short documentary that follows Duang, a second-generation Italian-Thai girl. Duang, during a period of stay in a monastery. Through her inner diary, the film explores a suspended phase of life: the one in which identity it is not yet defined and belonging becomes an open question. The monastery becomes the physical and symbolic place where Duang observes herself. Immersed in a daily life marked by rituals, silences and repeated gestures, the protagonist goes through an experience of deep listening, in which time slows down and perception is refined. Belonging Syndrome talks about hybrid identities, cultural legacies that coexist without completely merging, the difficulty and possibility of inhabiting multiple worlds without having to choose just one. It is an intimate and contemplative story about the search for balance in a fragile and open phase of existence.

A lovelorn man overcomes the pain of splitting with his wife with a newfound love, only for his mother and brother to frustrate his happiness.

Pim is unsatisfied with her man and when he chooses to leave her to study abroad, she makes sure all ties with him are cut. Enter another woman, Pat. The two women embark on a relationship almost too quickly. They go as far as having a wedding, in which Pat's parents refuse to attend.

A young writer finds herself promoting her new book in a televised interview, but things are not what they seem when the interviewer starts to challenge her.

Two people's loved ones die after they get a wax figure shaped like themselves. An investigation into the deaths brings the two together as they seek the truth behind the mystery.

A story of the unrequited love. Kwan's love for Riam grew fonder while her love for him seem to fade as she was taken to Bangkok.

Suffering from acute kidney failure, Boonmee has chosen to spend his final days surrounded by his loved ones in the countryside. Surprisingly, the ghost of his deceased wife appears to care for him, and his long lost son returns home in a non-human form. Contemplating the reasons for his illness, Boonmee treks through the jungle with his family to a mysterious hilltop cave—the birthplace of his first life.

Destiny has brought Ten and Pao to meet through a story in touring book. Though they haven't seen each other yet, the letters in the book was written and sent to both of them. Until one day, when they meet by chance, the acquaintance they've made through the book begins to blossom and develop into love. They vow not to be apart from one another no matter what would come. There's a twist when Ten doesn't get his birthday present that Pao sends to him, but they still hold on to the vow that one day they'll be together forever.

The legend of King Naresuan continues with this third of four chapters and tells the story of King Naresuan, Thai's chivalric king and warrior in the Ayutthaya era who fought against the invasion of Burmese troops that wanted to overpower the Ayutthaya Kingdom.

A young location scout meets the art director of her project in a day they will keep in their memories for a while, each for their own reasons.

Matoom, a young Thai boy comes to the gradual understanding on the ephemerality of his family life through his re-collected memories - inspired by 'Bright', the first Thai novel by a female writer to have appeared in English.

Arunprapai is a perfect woman who has the looks and the quality. She married to Kongkai, the man she didn’t love, because she wanted to escape the rumor about her having an affair with one of her best friend. But her family life is not as happy and smooth as some other peoples, the same with Kongkai, because Prungchat, his former lover is still coming around. So, getting a divorce seems to be the obvious choice.

Mekhala is a young carefree lady who is wealthy, charming and lives in a large rural house. There is a rumor that any man who has romantic relationship with her will die mysteriously.