Drama in the Futurists' Cabaret No. 13

As an entomologist and all-around wimp, Orlando Winthrop gets little respect from his wealthy parents. But when business needs to be taken care at the Winthrop sheep ranches out West, Orlando is raring to go. Upon his arrival, the ranchers see Orlando as an easy mark, but it turns out they're wrong. They try to take Orlando's money in a poker game -- and wind up broke themselves.

Figures Don't Lie is a showcase for the physical charms of lovely Esther Ralston, who in one scene proves the accuracy of the title by donning a fetching one-piece bathing suit. The main story concerns wise-guy insurance salesman Richard Arlen, who through a combination of hard work and sheer gall lands a job as sales manager. But he can't land heroine Ralston, who has remained cool to his charms ever since he tried to make a play for her on the street. A lost film.

When Harlan Carr inherited his Uncle Ebenezer's "Jack-O Lantern" house and too his bride there to live, he found himself the unwilling host of a score of hungry relatives within a week. Soon, strange things began to happen. A black cat made the house his headquarters, unexplained sounds could be heard and a shadowy figure floated through the halls at night.

Two pals enlist in the army during World War I. Just before they complete training camp and are to be sent overseas, they're scheduled to marry their girlfriends. However, they get in trouble and wind up in the guardhouse. Their girlfriends are determined to get married, however, and in order to accomplish this, they disguise themselves as soldiers and sneak onto the base, where they unwittingly get mixed up with enemy spies trying to gather information.

Edward Swinger contrives to win the hand of the lovely Caroline Pickering by selling her father his business - a business that doesn't actually exist.

A young author, Everett Dryden Hale, has written a book of such strength and originality that it becomes one of the best sellers. The book is entitled "Waifs" and deals with the underworld, a subject of which Hale, who is a New Englander with a Puritanical strain, knows by personal experience, practically nothing at all.

Claire Curtis, Jimmie Strong and Mary have spent their childhood together in the country. Upon reaching adulthood, Claire goes to New York and becomes a success on stage. Jimmie, who has always dreamed of becoming an inventor, goes to New York to sell the machine he invented, and there he renews his acquaintance with Claire. Soon their old friendship ripens into love. Meanwhile, back in the country, Ralph and David Harding, who are making Jimmie's machine, plan to steal the right to it. Back in New York, Mary appears and informs Claire that she loves Jimmie, and the actress resolves to give her a chance to win him. When it appears that the Hardings' scheme to steal Jimmie's machine will succeed, however, Mary's ardor turns cold. Claire and Jimmie then rush back to the country in time to avert the takeover and save his firm from bankruptcy.

One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.

After graduating from a convent school, Betty travels to New York to visit her relatives, the Hastings. She quickly catches the eye of Jim Denning, a wealthy neighbor who proposes to her, but Betty decides to experience city life before settling down and finds work as a salesclerk. When the floorwalker becomes too familiar, Betty quits and her showgirl friend Maizie Follette helps her get a job as a cabaret dancer, but Betty finds that’s a tough racket too and decides city life on the loose isn’t for her.

Young Frederica Calhoun, naïve to the ways of the world, having grown up on her father’s Montana ranch, is swept off her feet by the arrival of Lord Cecil Grosvenor, a prospective buyer. He opens her eyes to a hitherto undreamed-of world of refinement and he by her unfailing sweet disposition and sunny bubbling good spirits. They are soon engaged, but during a trip to New York to visit his sister Frederica begins to let her doubts get the better of her and disguising herself as a man follows him to the French Ball, but all turns out well in the end.

Cissie Colpitts drowns her cheating husband and, in the ensuing cover-up, enlists the help of lonely coroner Henry Madgett, an old friend with a longstanding weakness for her charms. But when Cissie's daughter and granddaughter—both also named Cissie Colpitts—decide to resort to the same methods for solving conflicts with their own frustrating husbands, the women and their repeated appeals for help begin to wear on Madgett's conscience.

"A comedy drama of New York life of a restaurant proprietor and it's a scream from start to finish." - Sheffield Observer, 03/28/1929

Mink Jones of Jonesville, is the lord high executioner and everything else.

Hiram, a country youth, is in love with Sallie. They go fishing and Sallie falls into the water. Hiram cannot swim, so he runs to the road and stops an automobile, driven by Alfred, a city chap. The latter rescues Sallie, and she feels grateful to him. His attentions to Sallie are not displeasing, and Hiram becomes insanely jealous.

A young lady takes on a convict as her chauffeur, believing him to be a burglar. In reality, however, he is an innocent broker.

Colonel Faraday asks his daughter, Diana, to recover some letters he wrote to Yvette, an adventuress, when she tries to blackmail him.