In the Family

Marie-Philip is a PhD student and part-time professor who loves cats and Harry Potter. But one week before her 29th birthday, she is diagnosed with breast cancer. For a year, without false modesty, we follow her through each step as she confides in us with shocking honesty. An ode to life, to courage and to the resilience of all those who fight every day against disease.

Self-portrait of a 38-year-old mother from Abitibi, struggling with breast cancer.

Gerry Rogers, a filmmaker in Newfoundland, documents her personal battle with breast cancer. With her partner Peggy and lots of support from family and friends, she makes her way to recovery.

I WANT SO MUCH TO LIVE explores the pioneering efforts of Genentech and the many individuals who came together to develop Herceptin, the world's first 'targeted therapy' for breast cancer.

Four strikingly different women undergo treatment at a comprehensive breast center presided over by the inimitable and searingly honest veteran surgeon Dr. Lauren Schnaper. She believes that fear, ignorance, and pink-ribbon culture are fueling an explosive rate of unnecessary mastectomies in America. Blending medical archival footage with extensive 'collateral damage' suffered by our four women - repeated loss of implants, blood infections caused by multiple surgical procedures, cosmetic nipple exchanges, reactions to cadaver's skin that is used to house breast implants - we learn that breast reconstruction post-mastectomy is no 'boob job.' As Dr. Schnaper advocates breast conservation and debunks breast cancer myths, so the myth of St. Agatha, the Sicilian martyred saint of the breast, offers a commentary on our own confused contemporary moment.

The film accompanies Jenny Gröllmann, a German actress, during the last two years of her life.

For years, filmmaker Sacha Polak has known that she carries the BRCA1 hereditary cancer gene, responsible for breast cancer, but she can't decide what to do. Does she have her breasts removed as a preventive measure to minimize the risk of developing cancer? What if she had them removed, thus forsaking her femininity, for nothing? Sacha decides to make a personal and open documentary about her search.

Rafaela, an 80-year-old woman, has a long conversation with her grandson, going over his path from childhood to old age. Now that she has been diagnosed with chronic breast cancer, faith is more present in her life than ever, which coexists with Rafaela's fear of death, and her grandson's fear of dying.

The film follows Michael Moskowitz’s work with a New York-based therapist named Kirkland Vaughns, one of the few African-American Freudian therapists in the United States, while the director reveals her own family’s devastating trauma.

Keenly aware that his niece is going through a particularly rough time at home, Uncle James teaches Ava Dee how to use the Blackmagic Pocket Cinema Camera. As an experiment, he tells her to shoot whatever she wants and he'll edit it into a film.

The film chronicles the diagnosis and treatment of a breast cancer survivor, interspersed with personal tales from famous international celebrities who are also survivors, or affected closely by cancer.

Intended as an account of Minogue's return to the stage following her recovery from cancer, the film features on-stage and back-stage footage and interviews with several of Minogue's tour crew, including the director, William Baker. Kylie's sister Dannii and U2 lead singer Bono are also featured.

An intimate documentary that follows Tig Notaro, a Los Angeles based comedian, who just days after being diagnosed with invasive stage II breast cancer changed the course of her career with a poignant stand-up set that became legendary overnight. It explores Tig's extraordinary journey as her career ignites and as her life unfolds in grand and unexpected ways, all the while continuing to battle a life-threatening illness and falling in love.

The Cut of It is a unique exploration of the decisions real women made when they were diagnosed with cancer.

We call them by a hundred different names: boobs, knockers, jugs, hooters. We wonder if they're real or fake, too small or too big, too exposed or too covered. And every year Americans spend millions of dollars on breast enhancement, from push-up bras to surgery. Why is our culture so captivated by this particular part of the female form? "Boobs: An American Obsession" is a revealing, humorous, often poignant investigation involving everyone from anthropologists to porn stars as we explore our culture's fascination with breasts.

Breast cancer has become the poster child of corporate cause-related marketing campaigns. Countless women and men walk, bike, climb and shop for the cure. Each year, millions of dollars are raised in the name of breast cancer, but where does this money go and what does it actually achieve? Pink Ribbons, Inc. is a feature documentary that shows how the devastating reality of breast cancer, which marketing experts have labeled a "dream cause," becomes obfuscated by a shiny, pink story of success.