De Vliegende Panters: Ebbinge, Vrijdag en De Bekker

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Registration of the fourth solo program by the Dutch comedian Hans Sibbel, in which the comedian takes a look at the evolution.

A VICE Essential about the music and life of young Dutch people of Moroccan origin with the leading parts of the mocrorap.

Single dad Richard meets Christine, a starving artist who moonlights as a cabbie. They awkwardly attempt to start a romance, but Richard’s divorce has left him emotionally damaged. Meanwhile, Richard’s sons—one a teenager, the other 6-years-old—take part in clumsy experiments with the opposite sex.

Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point).

Allison's life falls apart following her involvement in a fatal accident. The unlikely relationship she forms with her would-be father-in-law helps her live a life worth living.

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Registration of the fourth theatre program by the Dutch comedian Pieter Derks.

In 1998, Beavis and Butt-Head are sentenced to Space Camp by a “creative” judge. Their obsession with a docking simulator (huh huh) leads to a trip on the Space Shuttle, with predictably disastrous results. After going through a black hole, they re-emerge in our time, where they look for love, misuse iPhones, and are hunted by the Deep State. Spoiler: They don’t score.

In September 2013, it was exactly 12½ years ago that Bas Hoeflaak and Peter van de Witte launched their first full-length theater show 'Teer' under the name Droog Brood. The very best from six theater programs will be collected and forged into a magnificent and classic theater evening. Includes intermission and show trap. It will be fun. For the gentlemen of Droog Brood – who have finally found a reason to perform precious scenes one more time (there is talk of itchy fingers) – but of course also for the audience, who will be presented with an evening of hilarious highlights and will be able to enjoy themselves immerse yourself in a warm atmosphere of sweet melancholy. In short: the ladyfingers have been bought, the Smurfs have been called and Soekeloekie has pulled his proverbial nose out of the grease to frequently put it around the corner.

After an introduction in which he reminded us all of our meaningless, shitty lives, there followed an exhilarating hour and a half packed with hilarity, a dismantling of the Jesus myth, emotion, useful tips for the bakery, a few English expressions, Skopja skopja, and above all, Wim Helsen.

Destressing? Do that at home, will you! In 'Adéhadé', everything goes in overdrive, with many Dutch celebrity impressions.

Learning to love her luscious self over the past forty years, comedian Margaret Cho realized that the eye of the beholder doesn't hold all the power when it comes to beauty. Our tastes may be groomed by the media, but how we feel about how we look brings our self-image into focus. Armed with something more potent than lip gloss - a mouth so shocking and raunchy it should be stamped with a warning - Cho toured America with her manifesto: "This show is really about how we should feel beautiful," says Cho. "When you feel beautiful, you're going to have more of a willingness to use your voice to speak." Shot at the Long Beach Terrace Theater, Cho's latest stand-up concert film, Beautiful, explores the good, bad, and downright ugly in beauty, and the unattractive politicians and marketers who shape our world.

Some people say love is sex, sex is love. While others say sex is a four letter word. Sylvia is a love columnist who is writing a book on love stories. On a warm summer night she has invited six friends to tell true stories of their intimate love and sexual experiences. During the course of the evening the boundaries between love, sex and friendship narrow. People are exposed, fears are shared, friendships tested and relationships are destroyed and new ones formed. SEX IS A FOUR LETTER WORD is a contemporary film about love in the 1990s.

The second solo program by the Dutch cabaret artist Harrie Jekkers. Jekkers tells and sings about growing up and about his uncle Jan.

In this duo theatre program, the two old friends and frequent collaborators Harrie Jekkers and Koos Meinderts tell about their friendship and the songs they wrote together.