The Improv: 50 Years Behind the Brick Wall

Co-hosts Josh Bath and Samantha Newman have troubles with their early morning talk show when Josh gets dumped live on the air and battles through the five stages of grief.

In post Civil War West Virginia, 9 year old Jamie's life is forever changed when he unexpectedly meets his Uncle Vernon.

A group of friends in a car give a ride to a stranger who will affect their lives indirectly.

When Brad gets fired from his job, he goes to reopen an old cinema, he enlists his frends to help him show the last film the cinema aired before it closed... Only they don't know, the film is in Italian. With everyone sitting ready they begin to dub the movie... on the fly!

Aspiring director Corky St. Clair and the marginally talented amateur cast of his hokey small-town musical production go overboard when they learn that Broadway theater agent Mort Guffman will be in attendance.

The Grand is in the tradition of improvisational comedies like Best In Show and This Is Spinal Tap. The story is set in the world of professional poker and follows six players who reach the final table of the world’s second most famous high stakes tournament, the Grand Championship of Poker.

While home during break and stoned out of his mind, a college student looks for advice from his friends on how to deal with the raccoon he saw in his garage.

Dissatisfied with the dishonesty they see in dating, strangers Naima and Sergio make a pact to spend 24 straight hours together in an attempt to fast forward their relationship.

Orson Welles presents a proposed film project to prospective investors in Spain. Speaking to an audience of wealthy arts patrons, Welles outlines his vision for an improvised, documentary-style fiction set in the world of bullfighting, centered on a solitary, existential matador who stands apart from his peers. As he expounds on cinema, performance, and the ritualized spectacle of death, the film captures a project that would ultimately remain unrealized.

Things go badly for a small film crew shooting a low-budget zombie movie when they are attacked by real zombies.

Based on an incident in the life of Beat icon Neal Cassady and his wife, the painter Carolyn, the film tells the story of a railway brakeman whose wife invites a respected bishop over for dinner. However, the brakeman's Bohemian friends crash the party, with comic results. Pull My Daisy is a film that typifies the Beat Generation. Directed by Robert Frank and Alfred Leslie, Daisy was adapted by Jack Kerouac from the third act of his play, Beat Generation; Kerouac also provided improvised narration.

At an orphanage, the children are sad because they received used defective toys as gifts. Professor Grampy sees the children while passing by in his sled and has an idea on how to give them a merry Christmas.

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A salesman and a sexologist have misadventures with plot development determined by the votes of the studio audience.

An irreverent group of teens - Thirty, Whoopie, Headguy, Pinky, Stinky, Jumbo, Giggles, and James - are thrown into a two-day panic-induced adventure after one of them discovers she's pregnant.