Crossing Victoria

A squid dreams of becoming the star of a wildlife documentary. But when an aircraft sinks into the ocean, her peaceful world is suddenly thrown into danger.

Our planet is choking in garbage. As the garbage pile grows, it transformes into a live embodied force that is invading and upsetting the delicate balance of life on Earth. Fortunately, Bo the dog who lives in a hut deep in the forest, is determined to fight the Trash. A brave chemist, Bo invents a magical solution in his laboratory which can overcome this dreadful monster. Risking his own life to save his friends and the nature in which they all live together, Bo will not be alone on this crucial mission.

A short movie about a guy living in his own world.

When cat spirit Luo Xiaohei's home is deforested by humans, he must find a new one. He runs into a group of other spirit creatures who take him under their wing with dreams of reconquering the land they say is rightfully theirs. However, they run into a human known as Wuxian who separates Luo Xiaohei from the other spirits and the two go on a journey, with the cat spirit learning to control his abilities as well as forming his own thoughts on whether or not he should ally with the spirits or the humans.

Filmmakers use archival footage and animation to explore the culture surrounding nuclear weapons, the fascination they inspire and the perverse appeal they still exert.

La Maison en Petits Cubes tells the story of a grandfather's memories as he adds more blocks to his house to stem the flooding waters.

An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.

I turned my gaze to the various events in daily life and made this filmic diary in a manner as if confessing my feelings. Of course, since I was making the film, I wanted to depict these feelings and events with tricky techniques. I used various methods to shoot photographs of a relative's wedding, the landscape I see from window of my house, commemorative travel photographs and the like frame-by-frame.

While enjoying a date in a park, a man carelessly tosses an empty bottle onto the ground. His selfish littering promptly summons an imposing figure wearing a white hockey mask. The gruesome events that follow tell an admonishing tale about the importance of preserving the outdoors and defending the environment from the ugly menace of litter. The short was made for the tve YouTube Relay project, but wasn't included because it's too violent.

Creeping from the halls of the maze brain, corruption and terror is woven by devils born from the denied errors of mankind.

Inspired by the Greek myth of Prometheus, a Titan who created the first mortals from clay and stole fire from the gods, Prometheus' Garden immerses viewers in a cinematic universe unlike any other. The dark and magical images of this haunting film unfold in a dreamlike stream of consciousness revealing an unlikely cast of characters engaged in a violent struggle for survival.

TRAUMA is a collaborative film project by Jesse Kanda and Arca first partially exhibited at MoMA PS1 at the end of 2013. The film follows a nonlinear narrative about the death of a salaryman, a drunk driving infant and takes place within a subconscious world. TRAUMA's score will span through Arca's existing and future works.

Seemingly at random, the wings and other bits of moths and insects move rapidly across the screen. Most are brown or sepia; up close, we can see patterns within wings, similar to the veins in a leaf. Sometimes the images look like paper cutouts, like Matisse. Green objects occasionally appear. Most wings are translucent. The technique makes them appear to be stuck directly to the film.

After the title, a white screen gives way to a series of frames suggestive of abstract art, usually with one or two colors dominating and rapid change in the images. Two figures emerge from this jungle of color: the first, a shirtless man, appears twice, coming into focus, then disappearing behind the bursts and patterns of color, then reappearing; the second figure appears later, in the right foreground. This figure suggests someone older, someone of substance. The myth? Preserved by the Academy Film Archive in 2012.

A tilted figure, consisting largely of right angles at the beginning, grows by accretion, with the addition of short straight lines and curves which sprout from the existing design. The figure vanishes and the process begins again with a new pattern, each cycle lasting one or two seconds. The complete figures are drawn in a vaguely Art Deco style and could be said to resemble any number of things, an ear, a harp, panpipes, a grand piano with trombones, and so on, only highly stylized. The tone is playful and hypnotic.

An abstract animation about people and organs of the body in and out of drawers.