Judith

The story follows a day in the life of Ismail, a Palestinian photographer whose American upbringing was shaped by his grandfather’s displacement during the 1948 Palestine Nakba. When Ismail’s mother gifts him his grandfather’s keffiyeh—a traditional Palestinian scarf—it triggers an internal struggle between shame and pride in his cultural identity, all unfolding against the ominous backdrop of rising violence against Palestinians.

Drunk and disillusioned Roman, Marcellus Gallio, wins Jesus' robe in a dice game after the crucifixion. Marcellus has never been a man of faith like his slave, Demetrius, but when Demetrius escapes with the robe, Marcellus experiences disturbing visions and feels guilty for his actions. Convinced that destroying the robe will cure him, Marcellus sets out to find Demetrius — and discovers his Christian faith along the way.

The Holocaust began with the indiscriminate mass shootings by the Einsatzgruppen in the bloodlands of Eastern Europe and was perfected in the gas chambers at Auschwitz. “Bullets And Blueberries” explores the motives, methods and madness of the perpetrators, using never-before-seen images captured by the killers themselves — images that fully capture the banality of evil.

A family of Russian Jews living in New York struggles to survive, while the mother strives to better their lives, but she finds that most of her efforts costs more then they are worth.

As Abu Laila is forced to leave his job as a judge and become a cab driver, he faces a hectic challenge when he's told by his wife to bring a gift and a cake for their daughter's seventh birthday, which proves to be a task more complicated than he expected.

14-year-old Zain, a Palestinian swimming champion, faces war and man-made famine. He becomes the sole caregiver to his little brother. When aid drops into the sea, desperate for food, Zain is forced to swim - not for passion, but for survival.

The film examines a personal attempt to address existential concepts related to Palestinians such as exile, return and the image of the homeland.

In just one moment 19-year-old Hannah's world shatters when her parents are murdered in front of her. After fleeing, she seeks refuge with family friends before becoming the embodiment of rage and revenge towards those responsible for destroying her life. An unexpected connection with a handsome young Nazi Officer generates a moment of respite, but she is consumed by vengeance at any cost, no matter what or when. The story is inspired by the true events of women who helped defeat the Nazis during WWII.

What drives a young, well-educated Westerner to volunteer as a “peace activist” in the Middle East? Caiomhe Butterly is one of a growing number of volunteers who risk their own safety to intervene in the long-running and bloody conflict between Israel and Palestine. Several internationals, including her, have now been injured. Some have died. In this film, she describes witnessing the aftermath of the attack on Jenin in April 2002. The film follows her work, the main emphasis being “the accompaniment of communities at risk”. Despite being threatened, shot in the leg and deported later that year, she is determined to go back.

After years abroad in Italy, Shadi returns to his native Nazareth. But this is no spectacular homecoming. He's back somewhat begrudgingly to honour his "wajib" (or duty) to hand out invitations to his sister's wedding with his father. The simmering tension between the two — who are often stuck in a car, more often than not in traffic — builds, exposing the sometimes-comic chasms that exist between men who live in different worlds but share an unshakable bond.

A Jewish man discovers his boyfriend of 10 years has been cheating on him, and decides to embark on a dating spree.

On a mission to win her overbearing mother's approval, a free-wheeling young woman searches for a date in the unlikeliest of places-her nephew's bris.

Chronicle of a Disappearance unfolds in a series of seemingly unconnected cinematic tableaux, each of them focused on incidents or characters which seldom reappear later in the film. Among the many unrelated scenes, there is a Palestinian actress struggling to find an apartment in West Jerusalem, the owner of the Holy Land souvenir shop preparing merchandise for incoming Japanese tourists, a group of old women gossiping about their relatives, and an Israeli police van which screeches to a halt so several heavily armed soldiers can get off the car and urinate.

A Palestinian seeks Israeli permission to waive curfew to give his son a fine wedding. The military governor's condition is that he and his officers attend. The groom berates his father for agreeing. Women ritually prepare the bride; men prepare the groom. Guests gather. The Arab youths plot violence. One Israeli officer swoons in the heat and Arab women take her into the cool house. A thoroughbred gets loose and runs to a mined field; soldiers and Arabs must cooperate to rescue it. As darkness falls, tensions between army and villagers rise, and the groom's wedding-night anger and impotence threaten family dignity and honor. Can cool heads prevail?

Three friends drive through the mountains looking for a community of Palestinians they've only ever heard about.

A high holiday service descends into a screaming match when a young man becomes entangled in a feud with an embittered congregation leader.