Hidden Valley Outlaws

Marshall "Big Jim" Cole turns in his badge and heads to Wyoming with his family in order to settle on some land left him by a relative. He faces opposition both from a neighbor who wants that land for his own sons, and from a grizzly bear nicknamed "Satan" who keeps killing Cole's livestock.

Produced in Arizona, this very low-budget Western starred Walter Wayne as a law-abiding citizen helping to get his neighbor (Steve Raines) out of the hoosegow. The latter, however, repays the gesture by giving shelter to Lee Morgan and his gang of rustlers.

A cowhand and his sidekick come to the Texas border country looking for the man who had lured the cowhand's sister in bondage in Mexico. But the man doesn't want to be found and has hired some gunmen to see that he isn't.

The simple story has the pair coming to the rescue of peace-loving Mormons when land-hungry Major Harriman sends his bullies to harass them into giving up their fertile valley. Trinity and Bambino manage to save the Mormons and send the bad guys packing with slapstick humor instead of excessive violence, saving the day.

Renegades trying to get the army to abandon their fort get the Indians addicted to whiskey, then convince them to attack and drive out the soldiers.

The dream of living like the cowboy in a movie can become a reality in fiction, until the smoke of a cigarette recalls the ghosts of days gone by.

Opera star-cum-cowboy hero George Houston stars in PRC's The Lone Rider Fights Back. Appropriately enough, Houston disguises himself as a musician to get the goods on a gang of terrorists. The principal villain hopes to scare the local miners off their land, so he can move in and clean up.

A cowhand named Bob Blake visits with Sally Thompson and her kid-brother, Jimmy, on their hard-scrabble homestead adjoining the Steele Ranch where Bob works. He learns that their father just died, and he plans on seeing if he can make things a bit easier for them.

In this western, a frontier detective disguised as an entertainer performs for the leader of an outlaw gang. At the same time, he learns the whereabouts of the outlaws' hideout. Unfortunately, his true identity is revealed and he must escape if he is to bring the gang to justice.

Ben Wade and his partner Frosty return to Bellounds' ranch where twenty years earlier Wade was wanted for murder. Unrecognized, he gets a job on the ranch and soon becomes involved in Folsom's cattle rustling and a chance to settle an old score.

In early 20th-century Montana, Col. William Ludlow lives on a ranch in the wilderness with his sons, Alfred, Tristan, and Samuel. Eventually, the unconventional but close-knit family are bound by loyalty, tested by war, and torn apart by love, as told over the course of several decades in this epic saga.

Steve Packard is the ne'er-do-well son of an Arizona ranching baron. Upon his father's death, Steve returns from his days as a South Pacific beach bum to protect his father's estate, which has fallen into the hands of Steve's estranged grandfather. The grandfather's foreman, Joe Blenham, attempts to wrest the ranch from Steve's rightful inheritance, whether the means are legal or not.

A rancher who becomes a pilot staunchly defends the newly formed Civil Air Patrol from the cattle barons who fail to see the value of airplanes on the range.

A protegee of notorious outlaw Montana (Beery), young Tom Benton decides to stay on the good side of the Law upon reaching maturity. Montana, however, has no such inclination to reform, the result being a climactic gun duel between the ageing gunman and his former pupil.

A young cowboy returns home to help his father fight off a gang trying to take over the family ranch.

As Bruce Lanning posts a "no trespassing" sign at a watering hole on his Circle A ranch, his sister Jane rides up with news that Wes Caven, the hired gun of the Elwood brothers, is looking for him. Soon after, Wes appears and kicks over the sign. Later, Sunset Carson, Wes's boyhood friend, rides into town to invite Wes to become a partner in his new ranch. Just as Wes declines the offer and offers Sunset a job working for the Elwoods instead, Bruce bursts into the saloon, demanding to see Frank Elwood. Not to be confused with the 1950 John Wayne film of the same name