Atando Cabos

Set during the Lebanese revolution, WE NEVER LEFT portrays a heart-wrenching duality between Beirut and New York, an impassioned testament to the Lebanese diaspora’s unrequited but irrepressible love for their homeland.

Anna, a twelve-year-old Ukrainian gymnast, has fled her war-torn country and recently settled in Montreal with her mother, younger brother, and grandmother. Confronted by the past, the challenges of exile, and a deep need for belonging, she seeks to rebuild her identity and regain her balance. Through her child’s perspective, the documentary explores the reality of life after war, questioning what endures and what is missing, even when one has found refuge.

The film is about the difficult situation in which the Pakistanis in particular and the Muslims in general are caught up since 9/11. There is a war going on between the Fundamentalists and the Liberal Muslims. This situation is creating a drift not only between the Western world and the Muslims, but also within the Muslims. The educated and modern Muslims are in a difficult situation because of their approach towards life and their western attire. They are criticized and harassed by the fundamentalists and on the other hand the Western world sees them as potential suspects of terrorism just because of their Muslim names.

Over five thousand people illegally cross the border each day. There are areas where crime is at its highest, where criminals prey upon these defenseless groups. An elite task force is put together with high expectations of solving this problem that is plaguing our border

In 2016, an album containing 250 previously unseen photos of Nazi officials was discovered in the USA by Stephan Hördler, a prominent Holocaust historian, who immediately understood the album's inestimable value. The album brings together photographs of a "group of friends," all from the same region of Germany, all of whom became SS men. From 1928 to 1943, the photo album allows us to follow their journey. Hördler conducted the investigation, comparing the photos in the album with other, better-known ones, the faces of these men with those of concentration camp officials, and ultimately revealed that it was at Lichtencburg that these young men were trained, a "school" for future camp executioners, and the bonds of camaraderie and informal network that would allow them to help each other, even after the war.

A slice-of-life documentary following Ulla, a blind woman adjusting to life after eye removal surgery. With the help of her guide dog, Laina, she navigates Helsinki while pursuing a prosthetic eye and a deeper understanding of photography.

A Japanese tourist, Tokio, meets a 15-year-old Hong Kong girl and her grandmother left behind in Hong Kong while their family emigrates to Canada.

After his wife’s death, a man is interrogated by the State. Returning to a dystopic, totalitarian life, he weighs stifling his grief against leaving it all behind. A call leads an official to help him find his beloved.

In 1917 New Orleans, a 12-year-old girl is raised in a brothel by her prostitute mother.

It's been years since Stef last left her house. The loss of her brother combined with the quiet dread of the unknown conspiring to keep her inside. When her brother Liam's best friend, Evan, arrives to give Liam's journal to Stef, they begin a relationship. However, when Stef and Evan start to unpack their shared trauma, they question if their relationship can ever break free from its confines? Caught between Evan's images of a world outside that they could inhabit, and a story of lost love that Stef is translating from a previous generation, Stef must choose the kind of future she wants, and whether Evan will be a part of it.

A beautiful collection of pictures ties Frank Cancian, an elderly photographer and retired professor of anthropology, American with origin from Veneto, to the people of Lacedonia, a small town in southern Italy. Thanks to the rediscovery of the photos taken in 1957 by the young Cancian in that rural village where he had arrived almost by chance, the story resumes there where it was interrupted 60 years earlier. And the thread of memories ties back to people and places, bringing with itself some essential reflections on how photography can become an ethnographic look at small communities.

A housekeeper from El Salvador brings her teenage son to help her clean an affluent family’s Los Angeles home. But after being told by her employers that immigration officers are searching for her, she accepts the invitation to shelter in their house until the crisis blows over. As days go by under the same roof, each family begins to question the other’s true intentions.

Amateur photographer Makoto and the homely but endearing Shizuru meet during their university entrance ceremony and become instant friends. Shy by nature, Makoto finds himself opening up around Shizuru, who is secretly in love with him.

Lin, a migrant female worker from Cambodia, and Yeon-hee, a Korean, are friends who work together at a factory at night. One day, the two will go to the sea together for the weekend. However, the factory manager only forces Lin to work overtime on the weekend, while Lin finds out that Yeon-hee is leaving Korea for Australia soon.

Co-directed by acclaimed cinematographer Ellen Kuras and subject Thavisouk Phrasavath, this haunting documentary chronicles a refugee family’s epic journey from Laos in the aftermath of the secret war waged by the United States there to New York, where they find themselves fighting a different kind of war on the streets of Brooklyn. Filmed over the course of 23 years, THE BETRAYAL is a visually and emotionally stunning look at the complex ways in which the political shapes the personal.

Narrated by Academy Award winners Sissy Spacek and Herbie Hancock, River of Gold is the disturbing account of a clandestine journey into Peru's Amazon rainforest to uncover the savage unraveling of pristine jungle. What will be the fate of this critical region of priceless biodiversity as these extraordinarily beautiful forests are turned into a hellish wasteland?