Hitler's Big Fear: The Trial Against Degenerate Art

Googie architecture was one of the most visually exuberant and culturally formative design movements of the mid-20th century, yet it remains widely misunderstood. Defined by bold angles, sweeping rooflines, neon signage, and a sense of space-age optimism, Googie transformed everyday buildings into roadside spectacle. Coffee shops, bowling alleys, car washes, banks, and churches were designed not just for function, but to captivate motorists cruising by. Rooted in Los Angeles, the movement drew inspiration from visionary architects such as Frank Lloyd Wright and John Lautner, while firms like Armet & Davis brought futuristic flair to the commercial landscape. Though many original structures have been lost, preservationists now champion Googie as a serious architectural expression—one that captured the aspirations of postwar America and reshaped the visual identity of the modern city.

From the series "The Modern World: Ten Great Writers", this playful documentary introduces James Joyce's most famous work "Ulysses". It includes fantastic adaptations to film from passages of the novel. It also includes excerpts from a book written by Joyce's friend, the artist Frank Budgen, entitled "James Joyce and the making of Ulysses". Amongst those interviewed is author Anthony Burgess.

BBC documentary about Franz Kafka played by GREEK TV in 1990. This documentary is one of the ten films of “The Modern World: Ten Great Writers (1988)”.

Helvetica is a feature-length independent film about typography, graphic design and global visual culture. It looks at the proliferation of one typeface (which will celebrate its 50th birthday in 2007) as part of a larger conversation about the way type affects our lives. The film is an exploration of urban spaces in major cities and the type that inhabits them, and a fluid discussion with renowned designers about their work, the creative process, and the choices and aesthetics behind their use of type.

From the cabinets of curiosities created in Italy during the 16th century to the prestigious cultural institutions of today, a history of museums that analyzes the social and political changes that have taken place over the centuries.

The Flemish painter, humanist and diplomat Peter Paul Rubens (1577-1640) was fortunate to be recognized during his lifetime as an artist of genius and one of the most prolific among his peers, making him a key figure of the Baroque.

In this unique, compelling film, those who knew him speak freely, some for the first time, to reveal the many mysteries of Francis Bacon.

In the heart of Paris, an entire palace has disappeared. It was the very first residence of the kings of France. Long before Versailles, long before the Louvre, the Palais de la Cité stood on the most prestigious island in Paris, the historic cradle of France, facing Notre-Dame. So majestic in the Middle Ages, this palace has become a ghost of history. Over the centuries, this architectural masterpiece has almost completely disappeared. A trio of experts will resurrect it in 3D. Using science and unprecedented excavations, they will track down the pieces of the puzzle to reconstruct it at its peak in the 14th century, and bring back to life those who inhabited it. From the Romans to the Vikings, from Saint Louis to the cursed kings, all have left clues of this 'Versailles of the Middle Ages'.

'Figure I' uses a feminist perspective to frame and deconstruct patriarchal techniques of control. This film asks: how was a patriarchal gaze construct-ed, and how has it come to effect biological processes? How have specific tools (like Dürer's Grid) come to shape our technological present and possible futures? Are modern Western scientif-ic/mathematic/technological/medical structures rooted in extractive patriarchal philosophies? 'Figure 1' is composed of re-drawn illustrations of allegorical art historical paintings and etchings, alongside archival footage, Obstetric photography, and rotoscoped animation.

In 1940, the German artist Charlotte Salomon (1917-43) undertook an extraordinary artistic adventure, during which she combined painting, text and music: in only eighteen months, she painted more than a thousand paintings. In 1943, she was arrested by the Nazis and sent to the Auschwitz extermination camp.

An account of the short life and the astonishing and provocative work of the Austrian painter Egon Schiele (1890-1918), seen through the peculiar point of view and the critic voices of the women who defined the paramount milestones of his existence: Gerti, his sister; Wally, his main model and lover; and Edith, his wife. A brief story of love, hate, betrayal and misfortune.

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A symmetrically divided building: on one side, an important public hospital, on the other, a bewildering ruin. On the horizon, Rio de Janeiro, public health, education and Brazil’s aged modern project. Shot entirely in the monumental and only partially occupied modernist edifice of the University Hospital of UFRJ. A material metaphor of the Brazilian public sphere and its political maze. A synthesis architecturally expressed of the modernist utopia/dystopia.

Rubén tries to describe the color blue as "The color of dreams, of art, of the ocean and of the firmament", thereby unleashing half a century of poetry.

An account of the life and work of Swiss painter, sculptor, architect and designer H. R. Giger (1940-2014), tormented father of creatures as fearsome as they are fascinating, inhabitants of nightmarish biomechanical worlds.

The history of the Teatro Amazonas in Manaus, an opera house located in the middle of the Amazon rainforest, whose construction, between 1884 and 1896, depended on the labor exploitation of the local indigenous populations, provides an insight into the cultural, social and political situation in Brazil.