Enluarada

Hannah didn't expect to cross the boundaries of reality. At 25, she aspires to become a successful actress. But the path turns out to be more complex than she imagined. During a rehearsal, she is transported to another reality, where her life seems better. However, the multiverse finds many ways to surprise her.

Between paints and easels, in various paintings and sheets of paper, Elisa's body and face occupy the whole place. Desired, observed, and immortalized—being a muse isn't as simple as it seems.

From Italian set designer to Brazilian stage director, Gianni Ratto, born in Italy in 1916 and based in Brazil since 1954, retraces the geographical path of his life, accompanied by his daughter, passing through Genoa, Milan, Florence, São Paulo, and Rio de Janeiro, visiting places and people who marked his journey. At each encounter, Gianni speaks of his work and reveals the ideas of someone who not only executes but also thinks about theater from a humanist perspective.

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Four researchers record their perceptions as they walk through the patch of the BR-116 that goes through Canoas, Rio Grande do Sul, Brazil, looking for characters who’ve had their lives connected throughout the highway. The BR-116, the largest road in Brazil, crosses 10 states and connects Fortaleza to the municipality of Jaguarão, at the Uruguayan border, while also going through Canoas, splitting the city in two. The documentary brings testimonies from different people who share their life stories. “A Highway Movie” (2025) is the work that concludes Wender Zanon’s trilogy on Canoas, which starts with “This Is Canoas, Not Poa” (2021), followed by “Essays on a city” (2024).

Founding a social Muay Thai project in the North Zone of Rio de Janeiro, Mestre BG and his competitors face the adversities of an underfunded project and fight to win their place on the podium. The challenges intensify when one of the students, Raíssa Pacheco, secures a spot to compete in a South American championship in Uruguay.

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Bárbara and Milena experience the intensity of a magnetic, unspoken connection. Amid moments of contemplation and a latent tension that borders on obsession, the two young women explore the awakening of new feelings while facing the prospect of a departure that could change everything.

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A making-of directed by Bodanzky himself, the documentary discusses the language of the film Iracema - Uma Transa Amazônica 30 years after it was made, gathering interviews with the authors, actors, critics and the filmmakers themselves.

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