Jom Kita Ke Laut: Itui Suli-Suli Bajau!

A documentary short that uses fish to explore identity and belonging in a metropolis.

Local filmmaker Woo Ming Jin and his crew traversed across Peninsular Malaysia and Singapore to find 'Seruan Merdeka' (1947) - the first film made in Malaya post-WWII, and also the first film in the history of Malaysian cinema to feature a biracial cast of Malays and Chinese. While tracking the film's whereabouts, Woo met many locals along the way, whom he interviewed in an effort to find out more about the country's history.

Temiar Senoi, an indigenous people of Malaysia, live in the realm of unique dream culture. Their exceptionally harmonious and non-violent way of living has been claimed to be a direct result of their dream directed habits. Their sole aim is to exist in balance with nature and fellow man. But the nature is under threat by a massive rain forest logging operation masterminded by the Malaysian government. And the tribe itself is under another, direct threat by the same government, who try to institute "modern" customs among the tribes, including state religion and education programs.

Documentary tracing the extreme life of outlaw writer, performance artist and punk icon, Kathy Acker. Through animation, archival footage, interviews and dramatic reenactments, director Barbara Caspar explores Acker's colorful history, from her well-heeled upbringing to her role as the scribe of society's fringe.

In the heart of Borneo's rainforests, one of the oldest and most biodiverse ecosystems on Earth, lives the orangutan, arguably the largest tree dweller. The main story is about mother ape Sati and her one-and-a-half-year-old daughter Huyan on their journey through the jungle, while at the Sepilok Orangutan Rehabilitation Centre, orphaned and rescued young animals are given a chance at a new life in the wild. But their habitat is threatened by radical deforestation and palm oil plantations. This impressive documentary shows these endangered great apes at eye level for the first time. With the help of innovative drone technology an insight into the dizzying treetops of the jungle giants was, achieved where they mostly stay. It discovering the secret lives of these extraordinary animals with insightful footage and partly some scenes never before seen. Unforgettable images illustrate why protecting the rainforests is crucial for the orangutans and the future of our planet.

"Africa Light" - as white local citizens call Namibia. The name suggests romance, the beauty of nature and promises a life without any problems in a country where the difference between rich and poor could hardly be greater. Namibia does not give that impression of it. If you look at its surface it seems like Africa in its most innocent and civilized form. It is a country that is so inviting to dream by its spectacular landscape, stunning scenery and fascinating wildlife. It has a very strong tourism structure and the government gets a lot of money with its magical attraction. But despite its grandiose splendor it is an endless gray zone as well. It oscillates between tradition and modernity, between the cattle in the country and the slums in the city. It shuttles from colonial times, land property reform to minimum wage for everyone. It fluctuates between socialism and cold calculated market economy.

An urban train link, the RER B, crosses Paris and its outskirts from north to south. A journey within indistinct spaces known as inner cities and suburbs. Several portraits, all individual pieces that form a whole. We.

A moving recording of the late writer and renowned jazz singer Abbey Lincoln is captured in this new film from Brooklyn-born director Rodney Passé, who has previously worked with powerhouse music video director Khalil Joseph. Reading from her own works, Lincoln’s voice sets the tone for a film that explores the African American experience through fathers and their sons.

Tara Byte is a documentary short that explores the art and performance of the eclectic Soren Liu (He/They) while illuminating the interplay between art and identity, showcasing the dynamic intersection where Liu's creativity and self-expression converge.

CodeSwitching is a mash-up of personal stories from three generations of African American students who participated in a landmark voluntary desegregation program. Shuttling between their inner-city Boston neighborhoods and predominantly white suburban schools in pursuit of a better education, they find themselves swapping elements of culture, language, and behavior to fit in with their suburban counterparts – Often acting or speaking differently based on their surroundings, called code-switching.

A powerful cultural documentary about a Caribbean father and son who return to Grenada to reclaim ancestral stories. Blending folklore, myth, and underwater visuals, the film preserves Black heritage and reframes the feared Jab Jab as a symbol of resistance and identity.

With intertwined life stories, this film starts from the questions: Is Ecuadorian society essentially mestizo? What is a mongrel? This documentary aims to bring to the fore issues that have been poorly resolved both in the way in which Ecuador defines itself as a country, and in the subjectivity of its inhabitants.

The story of a young boy forced to spend all five years of his short life in hospital while the federal and provincial governments argued over which was responsible for his care, as well as the long struggle of Indigenous activists to force the Canadian government to enforce “Jordan’s Principle” — the promise that no First Nations children would experience inequitable access to government-funded services again.

A documentary film that follows the lives of first-generation retired immigrants living in Finland.

Edward Said's book Orientalism has been profoundly influential in a diverse range of disciplines since its publication in 1978. In this engaging and lavishly illustrated interview he talks about the context within which the book was conceived, its main themes, and how its original thesis relates to the contemporary understanding of "the Orient" as represented in the mass media. "That's the power of the discourse of Orientalism. If you're thinking about people and Islam, and about that part of the world, those are the words you constantly have to use. To think past it, to go beyond it, not to use it, is virtually impossible, because there is no knowledge that isn't codified in this way about that part of the world." -Edward Said

No description available.